Thursday

You are currently browsing the archive for the Thursday category.

TICKETS AVAILABLE NOW AT WWW.BLUEBEARMUSIC.ORG


Jackie Greene

Blue Bear School of Music presents the Blue Bear 40th Anniversary Benefit featuring performances by Jackie Greene plus special guests, and opening performances by Blue Bear youth bands, on Thursday, March 22 at Bimbo’s 365 Club, 1025 Columbus Avenue in San Francisco.

The Blue Bear 40th Anniversary Benefit will provide major funding for the school’s non-profit mission and youth music education programs that enrich the lives of more than 600 Bay Area youth from low-income families and under-served communities each year.

Proceeds support Blue Bear’s innovative Rock Band Ensemble Program, Digital Audio Production Studio 101, and guitar outreach programs at partner sites in public schools and community centers, summer camps, youth scholarships and sliding scale tuition support for low-income students.

Tickets are $75 general admission, $150 VIP and $60 general admission for Blue Bear Members. Tickets can be purchased at www.bluebearmusic.org/40th or (415) 673-3600 or at Blue Bear, Fort Mason Center, Building D in San Francisco or from www.bimbos365club.com.



Tags: , , , , , , , , ,

NEW DOUBLE ALBUM HAPPY BOOK OUT
MARCH 20


Jerry Joseph and The Jackmormons

For more than 30 years, Jerry Joseph has been strapping on a guitar and chasing down truth, understanding and soul with tenacity and resonant skill. Joseph is the archetypal musician’s musician – something that’s resoundingly clear on his sweeping new double album Happy Book, to be released March 20, 2012 on Response Records. Look for Joseph and his The Jackmormons to tour this spring in support of the album’s release. The list of currently confirmed tour dates is listed below – with many others still to be announced.

Produced by Joseph’s former Little Women band mate Gregg Williams (Dandy Warhols, Blitzen Trapper), Happy Book is an emotional and sonic wallop fueled by the tightest, tastiest playing the Jackmormons have ever captured in the studio. “After 17 years, this album brings together a lot of things I’ve always wanted on a record,” explains Joseph. “This sounds like a band thats been together 17 years and has evolved along the way.”

Happy Book incorporates horns and other choice elements from guests – Jenny Conlee-Drizos and Chris Funk (The Decemberists), Eric Earley (Blitzen Trapper), Dan Eccles (Richmond Fontaine), Wally Ingram, Little Sue Weaver and Paul Brainard – into The Jackmormons’ tight-knit chemistry to create an expansive work that captures Josephs startlingly broad musical range in a roughly graceful, swiftly intoxicating way.

Tour Dates

  • Friday, March 16 Dante’s Portland OR
  • Saturday, March 17 Player’s Bar and Grill Bend OR
  • Sunday, March 18 Sam Bond’s Garage Eugene OR
  • Wednesday, March 21 Great Northern Bar Whitefish MT
  • Thursday, March 22 The Palace Missoula MT
  • Friday, March 23 – Saturday, March 24 Whiskey Jack’s Big Sky MT
  • Friday, April 6 – Saturday, April 7 The Mint Los Angeles CA
  • Wednesday, April 11 Moe’s Alley Santa Cruz CA
  • Thursday, April 12 Cafe du Nord San Francisco CA
  • Friday, April 13 Mystic Theatre Petaluma CA
  • Saturday, April 14 Humboldt Brews Arcata CA

    Jerry Joseph and The Jackmormons Tour Dates
    ::
    Jerry Joseph and The Jackmormons News



  • Tags: , , , , , , , , , , , ,

    By: Eric Podolsky

    Dinosaur Jr. :: 12.15.11 :: The Fillmore :: San Francisco, CA

    Henry Rollins

    Those in the Bay Area looking to satisfy their hunger for some crushing, sonic-assault fretwork knew where to find it on this Thursday night, as legendary post-punk guitarist J Mascus and his band Dinosaur Jr. were in town and ready to blow some eardrums. But this was no ordinary Dino Jr. show, oh no, this mini tour was a celebration of their landmark 1988 album Bug, which the band performed in its entirety, but not before being interviewed onstage by none other than Henry Rollins, punks own master of the spoken word.

    The night started civilly enough with Rollins giving the band his own enthusiastic introduction, and was followed by an interesting Q & A session that touched on a number of topics: the rarity of soloing in punk music (and how J Mascus pulls it off brilliantly), the excitement of playing in the legendary, acoustically-perfect Fillmore (it’s hard to have a bad night here), the importance of the rhythm section being locked in underneath Mascus barrage of distortion, and Mascus perfectionism (he wrote every drum and bass part for every song on Bug). Rollins assertive questions and commanding presence were contrasted by Mascus droll, simple answers and unassuming persona, though this would all change once he strapped on his guitar.

    Dinosaur Jr.

    After a short break, the band came out revved up and ready to rock. Dwarfed by towers of Marshall stacks, Mascus transformed into a true force of nature, a shaman of sorts churning out super thick n crunchy bursts of sound, while bassist Lou Barlow (strumming chords, no less) and drummer Murph laid down a tight foundation — essentially the canvas for Mascus to paint on. His aggressively loud, ragged playing was cathartic in its absoluteness — the distortion washed over us, and we were taken away.

    After playing two newer songs to warm things up, the band launched into side one of Bug, and the crowd and band alike threw themselves into the familiar music. Opening with Freak Scene, Mascus immediately showed us that he is in a league of his own when it comes to soloing — using feedback and raw sonic distortion, he can contort sound to his liking, making statements with his guitar outside of the realm of tonality. This contrasted with his mopey, mumbling vocals, which delivered his tuneful lyrics like the shy kid in the back of the class. These disparate contrasts of wimpy melodies and ferocious guitar define the sound of Dino Jr, and the crowd lapped up every moment.

    J. Mascus by Malzkorn

    Adding to his own legend, Mascus also showed us that he can shred more traditional, melodic solos just as well as he can experiment in the outer realms of feedback. His sprawling, grandiose guitar work on the catchy They Always Come solidified him as a true dirty rock god in my book. Things barreled forward at a furious pace from there, with Murph pounding the skins and Barlow chugging out bass lines and chords underneath the sonic whirlwind. The set reached a roaring, freak-out peak with Bugs final song, Dont, in which a fan was brought on stage to scream the songs one angsty line (Why dont you like me?) over and over while the band climaxed in a shredding, ferocious double-time barrage of noise and aggression before ending the set in a hypnotic feedback loop.

    After a heavy set which essentially blew out our brains, minds and ears, it was nice to have an encore that showcased their more mainstream 90s days; namely, their two major label hits, Out There and Feel the Pain. These poppier tunes saw Mascus clean up his tone, upon which he proceeded to straight kill us with a searing metal shred-fest that inspired pangs of nostalgia to well up in me for the days when MTV actually showcased awesome music like this. To close the show, Mascus barreled us over with a final bout of sonic assault that left my head ringing for days after. We poured out of The Fillmore feeling cleansed by the power of electric music, knowing right well that there is no band on this earth that can do what Dinosaur Jr. does. May the slacker ethos live forever!

    Dinosaur Jr. Tour Dates :: Dinosaur Jr. News

    JamBase | Buzzing
    Go See Live Music!



    Tags: , , , , , , , ,

    « Older entries