smooth

You are currently browsing the archive for the smooth category.

The Jam Stampede with John Kadlecik | NYC | Review

April 27, 2012 in 10, 11, 12, 2, 25, 27, 28, 3, 50, 9, a, ACL, acoustic, after, Again, age, all, am, American, an, and, another, Arc, Are, around, as, at, attempt, ban, band, bands, Bass, black, book, bowl, Burn, but, by, Byrne, ca, can, cat, cc, center, charlie, classic, close, Closer, COMPLETE, covers, Crowd, cute, dance, Dank, dave, Day, dead, denver, does, dog, down, Drums, en, Encore, end, epic, eq, Eve, fake, Famous, Fat, fee, fi, final, First, fool, FOR, frank, Friend, From, gag, gain, get, Gf, gin, glow, golden, Good, grace, grateful, Groove, guide, Guitar, guitarist, hall, hampton, hi, high, Hope, How, ice, improvisation, in, inspiration, into, is, IT, jam, jammin, jamming, Jams, John, key, Keyboard, Keyboards, King, know, las, late, Led, let, life, light, lights, Like, live, live music, log, long, love, lover, luring, MA, Main, maine, Manhattan, Melt, MI, mike, miles, monday, moon, Mr, Music, My, name, Nat, nate, nc, New, new york, News, NH, night, NJ, no, nothing, NV, ny, of, on, one, op, Open, opener, opening, out, PA, Part, Phish, photos, picking, play, player, Pot, pro, Pt, rad, rain, rev, rock, row, rs, run, SC, scent, sci, second, set, show, Shows, Simple, smooth, So, solo, solos, song, Soul, sound, SPAC, spring, St, stage, start, Starting, state, stick, story, street, string, super, suzy, tab, talk, Taste, That, the, theatre, Thunder, times, to, Too, tour, Tribute, Twist, two, us, va, van, venue, view, vocal, WA, war, water, Way, ways, we, Web, Ween, Weigh, with, words, years, york, You, Your | No comments

Words by: Chadbyrne R. Dickens | Images by: Suzy Perler

The Jam Stampede with John Kadlecik :: 04.16.12 :: Gramercy Theatre :: New York, NY

John Kadlecik by Suzy Perler

John Kadlecik, widely known lead guitarist for Furthur and co-founder of Dark Star Orchestra, effortlessly proved to a small, loyal crowd on Monday evening at the The Gramercy Theatre in Manhattan, that he is a guitar tour de force. Following a set of solo acoustic rarities and covers, he joined in with old friends from the Zen Tricksters days. Comprised of veteran stalwarts, the headlining act, The Jam Stampede, booked this Monday night excursion to euphoria on Furthurs off-night from an extensive run at the Beacon Theatre for good reason. The timing of the gig afforded us the opportunity to witness Kadlecik open the night with an acoustic set, and wait with baited-breath in the hope he would take advantage of this opportunity to sit-in at this special Grateful Dead tribute performance.

Having recently caught a solo John show at Sullivan Hall, I knew what to expect from the opener. Johns sweet and clear voice delivered one eloquent song after another. Naturally, the crowd arrived in hopes of another Grateful Dead love fest, but he did not immediately answer their call. After a fresh take on a couple obscure Robert Hunter covers, the crowd was so entranced by his waxing musical deliver that John ribbed them, Wow. It is so, so quiet in here! Johns voice is crystal clean and clear. If Pigpens voice conjures up Thunderbird, Johns is a smooth flowing Molson Golden. Transitioning into a gentle rendition of Dylans Visions of Johanna, a tune the Grateful Dead covered a few times, the pleased audience, recognizing the sounds of a familiar tune, sang along to the parts they knew while growing visibly animated. Although John chose specific songs from his soul, it was obvious from the audience, although satisfied, that they were anticipating even more.

The Jam Stampede w/ John Kadlecik by Suzy Perler

Naturally, when one buys a ticket to hear John, who predominantly performs with the most famous jam outfit in history, one wants to witness what they perceive to be his most pronounced skill. Watching John play an entire set of mellow acoustic tunes is similar to a man being invited over to Megan Foxs house only to play Scrabble. One is so excited to hear John jam that is takes time to accept his subtle solo performances, regardless of how good a Scrabble player he may be. Placed near the back end of the opening set, highlights included John Lennons Watching the Wheels and a surprising, tasty rendition of Phishs Fast Enough for You.

Recharging between sets, I found JK straddling a doorway alone, savoring a few recharge moments before unleashing his fury on us. Knowing he has a very unique place on the music scene, he plays some of the most beloved songs in musical history with a band that has no equal in terms of passionate fan following. Naturally, I asked what many of my peers wanted to know:

With the vast Furthur catalog at your disposal, what song is the one you are always most chomping at the bit to play?

He reflected for a moment. If Johns reserved delivery yet often quirky speech arent reminiscent of John Denver, his bespectacled face hiding an innocent, boyish face certainly is. He replied matter of factly, Whatever song is next. Even after all the years and all the shows, he simply relishes the chance to shred his guitar with his innate prowess, picking on the strings with some old friends, all onstage buoyed by his presence. Kadlecik shared how he feels fortunate, due to his success as the lead guitarist for Furthur, to have an opportunity to play a setlist of songs of his choice that are not always Grateful Dead related because he may not otherwise have the chance to do so if not for his notoriety in recent years.

The Jam Stampede w/ John Kadlecik by Suzy Perler

Finally, Jam Stampede took the stage and immediately plunged into the familiar repetitive E and D chord exchange of The Other One. A veteran line-up with recent experience playing gigs like Brooklyn Bowl and Sullivan Hall, Wayne Scheller (keyboards), Tom Circosta (guitar), Klyph Black (bass), Dave Diamond (drums), and Mike Mizwinski (guitar) contagiously and confidently took over the Gramercy Theatre so effectively even the grumpiest curmudgeon would be compelled to tap a foot in unison. After a pass through the first verse, the band instantly reversed gears by slowing down and segueing into a solid Morning Dew. It was during this song, and guitarist Mizs guitar demonstration at the conclusion, that I was converted into a true believer in this band. The crescendo was so intense, involved and inspirational that I was instantly impressed with the talented musicians surrounding the stage.

The set progressed with familiar grooves, highlighted by a tightly conceived and melodious Unbroken Chain, complete with the requisite improvisational noodling after the second verse. Lizzy Friel, lead singer of the well-respected Jerry tribute act Reflections, joined the band to provide luscious harmonies on numerous songs. Having recently become engaged, Lizzy exuded a radiant glow which only facilitated better vocals during her guest turn.

There are 324 Grateful Dead cover bands in the U.S. according to www.gratefuldeadtributebands.com, which included those quality outfits I have seen like Reflections, Ship of Fools, Splintered Sunlight, Wig Jam, Dead Sessions, Reckoning, Cosmic Charlie and Dark Star Orchestra. By the end of this entertaining and engaging evening, I was convinced that Id just witnessed the most rewarding tribute experience. Jam Stampede tackles each and every number with an altered angle offering a unique take on timeless classics. Rather than replicate and spit out versions as a Jerry wannabe act, the band utilizes the Grateful Deads song structures as a foundation or starting point to then explore the vast musical landscape around it. By accentuating new and original points within a tune, varying the chord structure, and even changing the crescendo spots, they effectively maintained interest from an audience who remained surprised at a show where one has heard and sang along to all the songs so many times previously.

The Jam Stampede w/ John Kadlecik by Suzy Perler

Three members of the band played with one another with the old school jam outfit The Zen Tricksters, and the chemistry still translates well. All the players are masters of their domain, lifelong veterans who respect their craft and put forth the due diligence necessary to play this music right. Mr. Black, the bassist set up center stage, with the physical appearance of Ron Wood meets Peter Wolf upon first glance, but ultimately one can hear and see more of a reincarnation of Rick Danko. Despite the band being comprised of such quality players, it was Mike Mizwinskis virtuoso guitar work that was the impetus for most of the crowd talk between and after sets. I dont doubt that anyone in attendance now acquainted with Mizwinski would ever pass up an opportunity to see him own his guitar with such authority, passion and skill again. Not a household name yet, but without question, Miz has the chops to be a superstar.

Having witnessed the first sets talent, people were angling for a better view, competing for a closer spot near the stage in anticipation at the start of the second set. Help > Slip > Franklins was a tight and energetic place to start. John Kadlecik had graced the stage for numerous songs throughout, and watching as he often leaned back to allow Mike to take over the patented Jerry solos was reminiscent of a baton being passed. The music was so energetic and together, even the usually mundane Playin > Uncle Johns pairing took on an interesting dynamic due to the band playing with a mutual purpose and connection, with Lizzy again joining to add to the myriad of voices, which collided in a wonderful harmonic melting of sounds. However, it was the encore of Bertha that culminated a most surprising and special night of celebration amongst old friends. JK and MM alternated spots to improve, inspire and demonstrate each others virtuoso guitar work.

The Jam Stampede w/ John Kadlecik by Suzy Perler

With the intensely loyal Grateful Dead fan base, it is sacrilegious to offer up any true analysis or constructive criticism about any aspects of a show. If one suggests anything negative about the Dead, one is ostracized with a dunce cap in the corner without water. However, we all know that nothing delivers absolute perfection. Cognizant of the high quality jamming by Furthur, having seen over 100+ shows with Garcia, I remain challenged when forced to separate the current incarnation to the epic heights they once managed to attain. Its similar to someone dating a beautiful 20-year-old lover. They may still love this person at age 60 for all the right reasons, but most likely wont feel the same passion they did for them at 20 because the older version is simply not as alluring when the two ages are juxtaposed. Perhaps this latest round of Furthur shows best demonstrates that point to any old school Head. When witnessing Jam Stampede attack the same songs with renewed vigor and a fresh, renewed energy and approach, one cant help feeling as equally passionate at this $15 gig as at a $200 Furthur one. Just because no one named Weir or Lesh is onstage it doesnt mean they cant deliver epic versions of the songs those legends have played hundreds of times for decades.

I vividly recall occasionally spotting a bumper sticker on 80s Dead tour that simply stated: The Fat Man Rocks. Although meant in endearing levity, I never accepted this misguided attempt at humor. Chastising another about weight, even if one respects them, never demonstrates good taste. Intelligent men know that if you mention any similar remark to your girl, you are destined for a night in the dog house. Similarly, I never could comprehend how anyone so blatantly competent and proficient would consistently garner the moniker of Fake Jerry. Considering that Fake Jerry could never be a proper label anyway, as there is no mortal presently strumming a guitar who can approach the talent and icon status of Garcia, ultimately, it was a catchy, cute if not an accurate moniker. After this intimate showcase of guitar talent, I discovered first hand there is a John and a Mike, and fortuitously for those in attendance, they are both very real originals in their own right.

John Kadlecik Setlist
Down to Eugene, Givin’ Me the Business, Yellow Moon, American Spring, It’s Alright, Visions of Johanna, The Light That Has Lighted the World, Watching the Wheels, Seen Love*, Sister Smiles*, What’s Become of Mary*, Fast Enough for You*, Illegal Smile

* – with Lizzy Friel on harmony vocals

Jam Stampede Setlist
Set I: Other One > Morning Dew > Box of Rain*# > Simple Twist of Fate# > China Cat > Rider* > Unbroken Chain# > Other One > Deal*

Set II: Help > Slip > Franklins > Playin*# > Uncle Johns*# > Playin*# > Lovelight# > Bertha#

# with John Kadlecik
* – with Lizzy Friel on harmony vocals

The Jam Stampede Tour Dates :: The Jam Stampede News

JamBase | Shakedown Street
Go See Live Music!



Tags: , , , , , , , , , ,

The Jam Stampede with John Kadlecik | NYC | Review

April 27, 2012 in 10, 11, 12, 2, 25, 27, 28, 3, 50, 9, a, ACL, acoustic, after, Again, age, all, am, American, an, and, another, Arc, Are, around, as, at, attempt, ban, band, bands, Bass, black, book, bowl, Burn, but, by, Byrne, ca, can, cat, cc, center, charlie, classic, close, Closer, COMPLETE, covers, Crowd, cute, dance, Dank, dave, Day, dead, denver, does, dog, down, Drums, en, Encore, end, epic, eq, Eve, fake, Famous, Fat, fee, fi, final, First, fool, FOR, frank, Friend, From, gag, gain, get, Gf, gin, glow, golden, Good, grace, grateful, Groove, guide, Guitar, guitarist, hall, hampton, hi, high, Hope, How, ice, improvisation, in, inspiration, into, is, IT, jam, jammin, jamming, Jams, John, key, Keyboard, Keyboards, King, know, las, late, Led, let, life, light, lights, Like, live, live music, log, long, love, lover, luring, MA, Main, maine, Manhattan, Melt, MI, mike, miles, monday, moon, Mr, Music, My, name, Nat, nate, nc, New, new york, News, NH, night, NJ, no, nothing, NV, ny, of, on, one, op, Open, opener, opening, out, PA, Part, Phish, photos, picking, play, player, Pot, pro, Pt, rad, rain, rev, rock, row, rs, run, SC, scent, sci, second, set, show, Shows, Simple, smooth, So, solo, solos, song, Soul, sound, SPAC, spring, St, stage, start, Starting, state, stick, story, street, string, super, suzy, tab, talk, Taste, That, the, theatre, Thunder, times, to, Too, tour, Tribute, Twist, two, us, va, van, venue, view, vocal, WA, war, water, Way, ways, we, Web, Ween, Weigh, with, words, years, york, You, Your | No comments

Words by: Chadbyrne R. Dickens | Images by: Suzy Perler

The Jam Stampede with John Kadlecik :: 04.16.12 :: Gramercy Theatre :: New York, NY

John Kadlecik by Suzy Perler

John Kadlecik, widely known lead guitarist for Furthur and co-founder of Dark Star Orchestra, effortlessly proved to a small, loyal crowd on Monday evening at the The Gramercy Theatre in Manhattan, that he is a guitar tour de force. Following a set of solo acoustic rarities and covers, he joined in with old friends from the Zen Tricksters days. Comprised of veteran stalwarts, the headlining act, The Jam Stampede, booked this Monday night excursion to euphoria on Furthurs off-night from an extensive run at the Beacon Theatre for good reason. The timing of the gig afforded us the opportunity to witness Kadlecik open the night with an acoustic set, and wait with baited-breath in the hope he would take advantage of this opportunity to sit-in at this special Grateful Dead tribute performance.

Having recently caught a solo John show at Sullivan Hall, I knew what to expect from the opener. Johns sweet and clear voice delivered one eloquent song after another. Naturally, the crowd arrived in hopes of another Grateful Dead love fest, but he did not immediately answer their call. After a fresh take on a couple obscure Robert Hunter covers, the crowd was so entranced by his waxing musical deliver that John ribbed them, Wow. It is so, so quiet in here! Johns voice is crystal clean and clear. If Pigpens voice conjures up Thunderbird, Johns is a smooth flowing Molson Golden. Transitioning into a gentle rendition of Dylans Visions of Johanna, a tune the Grateful Dead covered a few times, the pleased audience, recognizing the sounds of a familiar tune, sang along to the parts they knew while growing visibly animated. Although John chose specific songs from his soul, it was obvious from the audience, although satisfied, that they were anticipating even more.

The Jam Stampede w/ John Kadlecik by Suzy Perler

Naturally, when one buys a ticket to hear John, who predominantly performs with the most famous jam outfit in history, one wants to witness what they perceive to be his most pronounced skill. Watching John play an entire set of mellow acoustic tunes is similar to a man being invited over to Megan Foxs house only to play Scrabble. One is so excited to hear John jam that is takes time to accept his subtle solo performances, regardless of how good a Scrabble player he may be. Placed near the back end of the opening set, highlights included John Lennons Watching the Wheels and a surprising, tasty rendition of Phishs Fast Enough for You.

Recharging between sets, I found JK straddling a doorway alone, savoring a few recharge moments before unleashing his fury on us. Knowing he has a very unique place on the music scene, he plays some of the most beloved songs in musical history with a band that has no equal in terms of passionate fan following. Naturally, I asked what many of my peers wanted to know:

With the vast Furthur catalog at your disposal, what song is the one you are always most chomping at the bit to play?

He reflected for a moment. If Johns reserved delivery yet often quirky speech arent reminiscent of John Denver, his bespectacled face hiding an innocent, boyish face certainly is. He replied matter of factly, Whatever song is next. Even after all the years and all the shows, he simply relishes the chance to shred his guitar with his innate prowess, picking on the strings with some old friends, all onstage buoyed by his presence. Kadlecik shared how he feels fortunate, due to his success as the lead guitarist for Furthur, to have an opportunity to play a setlist of songs of his choice that are not always Grateful Dead related because he may not otherwise have the chance to do so if not for his notoriety in recent years.

The Jam Stampede w/ John Kadlecik by Suzy Perler

Finally, Jam Stampede took the stage and immediately plunged into the familiar repetitive E and D chord exchange of The Other One. A veteran line-up with recent experience playing gigs like Brooklyn Bowl and Sullivan Hall, Wayne Scheller (keyboards), Tom Circosta (guitar), Klyph Black (bass), Dave Diamond (drums), and Mike Mizwinski (guitar) contagiously and confidently took over the Gramercy Theatre so effectively even the grumpiest curmudgeon would be compelled to tap a foot in unison. After a pass through the first verse, the band instantly reversed gears by slowing down and segueing into a solid Morning Dew. It was during this song, and guitarist Mizs guitar demonstration at the conclusion, that I was converted into a true believer in this band. The crescendo was so intense, involved and inspirational that I was instantly impressed with the talented musicians surrounding the stage.

The set progressed with familiar grooves, highlighted by a tightly conceived and melodious Unbroken Chain, complete with the requisite improvisational noodling after the second verse. Lizzy Friel, lead singer of the well-respected Jerry tribute act Reflections, joined the band to provide luscious harmonies on numerous songs. Having recently become engaged, Lizzy exuded a radiant glow which only facilitated better vocals during her guest turn.

There are 324 Grateful Dead cover bands in the U.S. according to www.gratefuldeadtributebands.com, which included those quality outfits I have seen like Reflections, Ship of Fools, Splintered Sunlight, Wig Jam, Dead Sessions, Reckoning, Cosmic Charlie and Dark Star Orchestra. By the end of this entertaining and engaging evening, I was convinced that Id just witnessed the most rewarding tribute experience. Jam Stampede tackles each and every number with an altered angle offering a unique take on timeless classics. Rather than replicate and spit out versions as a Jerry wannabe act, the band utilizes the Grateful Deads song structures as a foundation or starting point to then explore the vast musical landscape around it. By accentuating new and original points within a tune, varying the chord structure, and even changing the crescendo spots, they effectively maintained interest from an audience who remained surprised at a show where one has heard and sang along to all the songs so many times previously.

The Jam Stampede w/ John Kadlecik by Suzy Perler

Three members of the band played with one another with the old school jam outfit The Zen Tricksters, and the chemistry still translates well. All the players are masters of their domain, lifelong veterans who respect their craft and put forth the due diligence necessary to play this music right. Mr. Black, the bassist set up center stage, with the physical appearance of Ron Wood meets Peter Wolf upon first glance, but ultimately one can hear and see more of a reincarnation of Rick Danko. Despite the band being comprised of such quality players, it was Mike Mizwinskis virtuoso guitar work that was the impetus for most of the crowd talk between and after sets. I dont doubt that anyone in attendance now acquainted with Mizwinski would ever pass up an opportunity to see him own his guitar with such authority, passion and skill again. Not a household name yet, but without question, Miz has the chops to be a superstar.

Having witnessed the first sets talent, people were angling for a better view, competing for a closer spot near the stage in anticipation at the start of the second set. Help > Slip > Franklins was a tight and energetic place to start. John Kadlecik had graced the stage for numerous songs throughout, and watching as he often leaned back to allow Mike to take over the patented Jerry solos was reminiscent of a baton being passed. The music was so energetic and together, even the usually mundane Playin > Uncle Johns pairing took on an interesting dynamic due to the band playing with a mutual purpose and connection, with Lizzy again joining to add to the myriad of voices, which collided in a wonderful harmonic melting of sounds. However, it was the encore of Bertha that culminated a most surprising and special night of celebration amongst old friends. JK and MM alternated spots to improve, inspire and demonstrate each others virtuoso guitar work.

The Jam Stampede w/ John Kadlecik by Suzy Perler

With the intensely loyal Grateful Dead fan base, it is sacrilegious to offer up any true analysis or constructive criticism about any aspects of a show. If one suggests anything negative about the Dead, one is ostracized with a dunce cap in the corner without water. However, we all know that nothing delivers absolute perfection. Cognizant of the high quality jamming by Furthur, having seen over 100+ shows with Garcia, I remain challenged when forced to separate the current incarnation to the epic heights they once managed to attain. Its similar to someone dating a beautiful 20-year-old lover. They may still love this person at age 60 for all the right reasons, but most likely wont feel the same passion they did for them at 20 because the older version is simply not as alluring when the two ages are juxtaposed. Perhaps this latest round of Furthur shows best demonstrates that point to any old school Head. When witnessing Jam Stampede attack the same songs with renewed vigor and a fresh, renewed energy and approach, one cant help feeling as equally passionate at this $15 gig as at a $200 Furthur one. Just because no one named Weir or Lesh is onstage it doesnt mean they cant deliver epic versions of the songs those legends have played hundreds of times for decades.

I vividly recall occasionally spotting a bumper sticker on 80s Dead tour that simply stated: The Fat Man Rocks. Although meant in endearing levity, I never accepted this misguided attempt at humor. Chastising another about weight, even if one respects them, never demonstrates good taste. Intelligent men know that if you mention any similar remark to your girl, you are destined for a night in the dog house. Similarly, I never could comprehend how anyone so blatantly competent and proficient would consistently garner the moniker of Fake Jerry. Considering that Fake Jerry could never be a proper label anyway, as there is no mortal presently strumming a guitar who can approach the talent and icon status of Garcia, ultimately, it was a catchy, cute if not an accurate moniker. After this intimate showcase of guitar talent, I discovered first hand there is a John and a Mike, and fortuitously for those in attendance, they are both very real originals in their own right.

John Kadlecik Setlist
Down to Eugene, Givin’ Me the Business, Yellow Moon, American Spring, It’s Alright, Visions of Johanna, The Light That Has Lighted the World, Watching the Wheels, Seen Love*, Sister Smiles*, What’s Become of Mary*, Fast Enough for You*, Illegal Smile

* – with Lizzy Friel on harmony vocals

Jam Stampede Setlist
Set I: Other One > Morning Dew > Box of Rain*# > Simple Twist of Fate# > China Cat > Rider* > Unbroken Chain# > Other One > Deal*

Set II: Help > Slip > Franklins > Playin*# > Uncle Johns*# > Playin*# > Lovelight# > Bertha#

# with John Kadlecik
* – with Lizzy Friel on harmony vocals

The Jam Stampede Tour Dates :: The Jam Stampede News

JamBase | Shakedown Street
Go See Live Music!



Tags: , , , , , , , , , , , ,

Miike Snow | Oakland | Review | Photos

April 20, 2012 in 10, 11, 12, 2, 2010, 25, 2b, 3, 30, 50, 9, a, ACL, after, age, all, am, American, an, and, another, Are, as, at, away, ban, band, bands, Bass, big, black, bouncing, Bridge, Burn, but, by, ca, can, cat, cc, center, chords, chris, color, COMPLETE, console, Crowd, dance, dancing, down, Drums, effects, electric, en, Encore, end, Eve, fall, fee, fi, finish, First, Fog, FOR, Free, From, front, gag, gain, game, get, gin, give, golden, great, Groove, ground, hampton, hi, high, How, in, into, is, IT, IX, jam, Jams, King, Labor, las, Last, late, Led, let, life, light, lights, Like, live, live music, log, long, lot, MA, Made, MI, mix, Music, My, name, Nat, nate, nc, New, News, NH, night, no, NV, ny, of, on, one, op, out, PA, Part, Phish, photos, Piano, play, Pop, Pot, pro, producer, Pt, rain, rev, Road, rock, room, row, rs, SC, second, set, show, Shows, smooth, So, solo, solos, song, Soul, sound, SPAC, St, Stab, stage, start, storm, studio, tab, That, the, theater, Thunder, times, to, tour, two, uic, us, velvet, venue, view, vocal, WA, Way, we, Ween, with, words, You, Your | No comments

Words by: Annelise Poda | Images by: Julie Logan

Miike Snow :: 04.12.12 :: Fox Theater :: Oakland, CA

Photo gallery below review!

Miike Snow by Julie Logan

A sold out crowd braved the elements to see Swedish synth rockers Miike Snow last week, crowding into Oaklands Fox Theater to escape a very active lightning storm that lit up the Bay Area night. Once inside, people were lulled into a false sense of security after escaping the torrential rainy weather, but this sense of calm was quickly shattered as Miike Snow appeared and started up an indoor electrical storm of their own. Peoples excited conversations were immediately cut short as pulsing strobe lights kicked in to illuminate fronts of thick, vision-clouding fog. A thunderous, ground shaking bass note echoed through the venue, and the crowd was swept away by the flowing music that began to cascade down from the front of the room.

For initial clarification, Miike Snow is the collective name of the band and not one of the actual musicians on stage. The group started as an side project collaboration between two established Swedish producers and an American songwriter when they met between jobs. Their colorful, synth-laden songs on their eponymous 2010 debut album became a surprise hit and propelled the band to a lengthy, successful world tour right from the start of their existence. They just released their second album, Happy to You, last month, and Miike Snow is back on the road performing their highly danceable, rhythm heavy tunes, complemented by a remarkably visually engaging stage show.

Miike Snow by Julie Logan

When the band first appeared, they were clad in the attention-grabbing getup of matching golden masks and black jackets. Lead singer Andrew Wyatt presided over his table of effects pedals, which he manipulated to ring in the booming elongated bass line of Enter the Jokers Lair. It started off slow, but then bandmates Christian Karlsson and Pontus Winnberg jumped in the mix to add their own bobbing and floating notes that fleshed out the song into a melodic, dynamic piece, complete with floating xylophone solos. Everyone on stage was constantly in motion, toggling new settings on their illuminated center console of knobs, tapping out piano notes, or even strumming thumb piano chords to create beautifully layered songs. A skillful drummer hit out intricate rhythms to keep everything in line, and Karlsson and Winnberg would periodically bang out some beats on the floor tom drums that were scattered about the stage. All of these elements melded together to create the signature Miike Snow sound of catchy rhythm-centric synthesized and layered progressions that kept the audience dancing through the entire set.

So many of Miike Snows songs are instant hits, and almost every one they played got a great response from the audience. Wyatt is a very charismatic frontman, and my favorite part of the night was when he skipped to the side of the stage during the grooving instrumental bridge of their new single Paddling Out to bust out some fluid and carefree dance moves. Nobody could avoid the happy vibes he was emanating, and the crowd joined in to cast their inhibitions to the wind and surrender to the music. Another great moment was during Burial, which had the entire crowd singing along. Bright white spotlights lit up Wyatt as he soulfully sang into the mic, illuminating his long hair and beard and giving him an uncanny Jesus-like appearance.

Miike Snow by Julie Logan

I was surprised at how well all of these songs translated to a live performance, as the uber-smooth melodies and velvety vocals on Miike Snows albums give the impression that a lot of studio magic was involved in their creation. Instead of their music falling flat, the band kicked it up a notch and turned many of their basic riffs and hooks into rocking instrumental jams with a larger than life sound. Seeing everyone on stage lock into the collective groove to craft this myriad of sounds was great, and it was obvious that someone who knew what they were doing had planned out the accompanying lighting design. The visuals really fit with the music, and the rotating spotlights that cut through the thick layer of fog sometimes made me feel like I was in the middle of a deep-sea submarine game of flashlight tag. A projector added an additional visual spectacle, as complex geometric shapes unfolded on the back wall behind the band.

The band finished up their set with the piano heavy Devils Work, but promptly came back out for an encore and ended the night with a bass-centric rendition of their biggest hit Animal. The songs bouncing hook was given a gritty new bass feel, and people let out their last bursts of dancing energy while jumping up and singing along to an expanded version of the popular song. It was a perfect way to end the night.

Miike Snow definitely lived up to the hype surrounding them, and their live show demonstrated why theyve gained such immediate popularity. The band is headed down to Coachella after this performance, and then continues on another ambitious tour with many dates across the world. Check their upcoming schedule and try to grab tickets early if they come to your town!

4/12/12 – Miike Snow @ Fox Theater (Oakland, CA) View Photos

Miike Snow Tour Dates :: Miike Snow News

JamBase | Paddling Out
Go See Live Music!



Tags: , , , , , , , , , ,

« Older entries § Newer entries »