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NEW TRACK “BAD GIRLS” AVAILABLE ON ITUNES


M.I.A.

Today M.I.A.‘s video for her brand new track, “Bad Girls,” premieres exclusively on Noisey — Vice’s new music channel on YouTube.

The video was shot in Ouarzazate, Morocco, and is directed by Romain Gavras (M.I.A. “Born Free” and JUSTICE “Stress”).

Watch the video for “Bad Girls” below.

“It was dope to have so many people from so many different backgrounds speaking so many different languages come together to create something that we believed in,” says M.I.A about the video. “I thought I was gonna die on the shoot when I saw the drifting. It was a four day shoot so everyone was on edge the whole time specifically ME when I had to do bluesteel singing to the camera while the cars did doughnuts on the wet road ten feet away. In my mind I was thinking how I was gonna deliver the video to Vice with no legs.”

The track “Bad Girls” was released via all major digital retail outlets January 31.

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Words by: Brennan Lagasse | Images by: Bud Fulginiti

Mickey Hart Band :: 01.21.12 :: Crystal Bay Club :: Lake Tahoe, NV

Mickey Hart :: Arts Quest in Bethlehem, PA :: by Bud Fulginiti

This winter season has been an unusual one in Lake Tahoe. Below average snowfall has made for a few unhappy campers in a place usually overflowing with positive energy. As luck would have it Saturday, January 21st was the first day of 2012 with enough fresh snow for locals and visitors to bask in a long awaited and celebrated Powder Day. This new snowfall also happened to coincide with a visit from the Mickey Hart Band (MHB) who made a stop at the Crystal Bay Club (CBC) on Tahoes North Shore. Perhaps it was a sign from the cosmos.

The MHB has seen several different lineups over the years. The most current incarnation of the group has been chosen for a certain kind of mission according the Rhythm Devil Mickey Hart himself. Hart has been locked in space for quite some time. Any Deadhead will tell you that, but with this project, Harts seriously been tapping space, as in from the solar system – not the abstract sounds commonly heard at Grateful Dead shows of years past – as a way to generate new music.

MHB :: Arts Quest in Bethlehem, PA :: by Bud Fulginiti

Technically, Hart has been engulfed in a rich study on the sonification of the universe, which has helped create the music that the MHB plans to record and release sometime this April. Hes worked with several scientists on this front to better understand the sounds of the galaxy, and with his band members has created a new quiver of music that many who attended the show at the CBC were hearing for the first time.

Truth be told, a great deal of the pre-show chatter pointed concert goers to the notion that they were about to take in a show that would probably be one long set of space and/or drums and space. In reality what ended up happening was a slew of Tahoe Deadheads came out to party with the MHB, with most more than pleasantly surprised by a just a few old Grateful Dead tunes sprinkled amongst two sets of newly composed originals.

Mickey Hart Band :: Arts Quest in Bethlehem, PA :: by Bud Fulginiti

Hart was recently quoted as saying, Its a combination of universal and global music, which to the attendee feels and sounds very much spot on. There are three drummers in the band beyond the two primary vocalists, keyboards, guitar and bass. Crystal Hall has a beautiful voice, and also lent a hand on acoustic guitar during the evening. Her take on Brokedown Palace was a fresh and welcome one, as were her soaring vocal leads throughout the evening. It was unfortunate that bassist Dave Schools from Widespread Panic was unable to be there for the evening, but as a band the music sounded as cohesive as a relatively new band could possibly be. Even though those familiar with Schools trademark playing know what a force he can be in any band, the MHB played as a whole, with Hart clearly fired up, enjoying the energy of the snow-inspired crowd, with the music and dancing growing stronger song-by-song over the course of the evening.

Inx Herman lays down the base beat and is accompanied by world renown talking drummer Sikuru Adepoju, whos been a fixture in many of Harts bands over the years. Mickey is then left to bring the spacey sounds and other worldly beats he was so well known for with the Grateful Dead. A solid bit of old favorites anchored with a host of new universally inspired songs is what you should expect to hear as this danceable trip lead by the space man himself gets ready for a solid tour this March into April. If you like the Grateful Dead, what Mickey brought to the band, and are into hearing some new music inspired by the rhythms of space played by a very solid band of quality musicians, then make sure when the MHB bus comes by you get on. The improvisational ride will be a welcome, unique experience, and youll be happy to have jumped on board.

Mickey Hart Band Tour Dates :: Mickey Hart Band News

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By: Eric Podolsky

Dinosaur Jr. :: 12.15.11 :: The Fillmore :: San Francisco, CA

Henry Rollins

Those in the Bay Area looking to satisfy their hunger for some crushing, sonic-assault fretwork knew where to find it on this Thursday night, as legendary post-punk guitarist J Mascus and his band Dinosaur Jr. were in town and ready to blow some eardrums. But this was no ordinary Dino Jr. show, oh no, this mini tour was a celebration of their landmark 1988 album Bug, which the band performed in its entirety, but not before being interviewed onstage by none other than Henry Rollins, punks own master of the spoken word.

The night started civilly enough with Rollins giving the band his own enthusiastic introduction, and was followed by an interesting Q & A session that touched on a number of topics: the rarity of soloing in punk music (and how J Mascus pulls it off brilliantly), the excitement of playing in the legendary, acoustically-perfect Fillmore (it’s hard to have a bad night here), the importance of the rhythm section being locked in underneath Mascus barrage of distortion, and Mascus perfectionism (he wrote every drum and bass part for every song on Bug). Rollins assertive questions and commanding presence were contrasted by Mascus droll, simple answers and unassuming persona, though this would all change once he strapped on his guitar.

Dinosaur Jr.

After a short break, the band came out revved up and ready to rock. Dwarfed by towers of Marshall stacks, Mascus transformed into a true force of nature, a shaman of sorts churning out super thick n crunchy bursts of sound, while bassist Lou Barlow (strumming chords, no less) and drummer Murph laid down a tight foundation — essentially the canvas for Mascus to paint on. His aggressively loud, ragged playing was cathartic in its absoluteness — the distortion washed over us, and we were taken away.

After playing two newer songs to warm things up, the band launched into side one of Bug, and the crowd and band alike threw themselves into the familiar music. Opening with Freak Scene, Mascus immediately showed us that he is in a league of his own when it comes to soloing — using feedback and raw sonic distortion, he can contort sound to his liking, making statements with his guitar outside of the realm of tonality. This contrasted with his mopey, mumbling vocals, which delivered his tuneful lyrics like the shy kid in the back of the class. These disparate contrasts of wimpy melodies and ferocious guitar define the sound of Dino Jr, and the crowd lapped up every moment.

J. Mascus by Malzkorn

Adding to his own legend, Mascus also showed us that he can shred more traditional, melodic solos just as well as he can experiment in the outer realms of feedback. His sprawling, grandiose guitar work on the catchy They Always Come solidified him as a true dirty rock god in my book. Things barreled forward at a furious pace from there, with Murph pounding the skins and Barlow chugging out bass lines and chords underneath the sonic whirlwind. The set reached a roaring, freak-out peak with Bugs final song, Dont, in which a fan was brought on stage to scream the songs one angsty line (Why dont you like me?) over and over while the band climaxed in a shredding, ferocious double-time barrage of noise and aggression before ending the set in a hypnotic feedback loop.

After a heavy set which essentially blew out our brains, minds and ears, it was nice to have an encore that showcased their more mainstream 90s days; namely, their two major label hits, Out There and Feel the Pain. These poppier tunes saw Mascus clean up his tone, upon which he proceeded to straight kill us with a searing metal shred-fest that inspired pangs of nostalgia to well up in me for the days when MTV actually showcased awesome music like this. To close the show, Mascus barreled us over with a final bout of sonic assault that left my head ringing for days after. We poured out of The Fillmore feeling cleansed by the power of electric music, knowing right well that there is no band on this earth that can do what Dinosaur Jr. does. May the slacker ethos live forever!

Dinosaur Jr. Tour Dates :: Dinosaur Jr. News

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