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Phish | Alpharetta | Review | Pics

Words by: Billy Jack Sinkovic | Images by: Dave Vann

Phish :: 06.14.11-06.15.11 :: Verizon Wireless Amphitheatre at Encore Park :: Alpharetta, GA

Jump right to Dave’s photos here!

Phish :: 06.14.11 :: Alpharetta, GA
Photo by Dave Vann Phish 2011

The last week of May, the band called Phish launched their most ambitious summer tour since the Nineties [33 dates in 20 cities]. After visiting all the old haunts – as well as a few new ones, such as the Bethel Woods Center for the Arts – across the Northeast and Midwest, the band and its fans followed the lines going South for a five-night run across Georgia, North Carolina, and Virginia to culminate the first leg of tour. First stop: Alpharetta.

The newish and rather nice but homogenously-handled Verizon Wireless Amphitheatre at Encore Park broke its Phish cherry last summer with a one-two punch in the eye to celebrate our country’s independence, culminating in a righteous rebellion in the form of a Rage Against the Machine cover – the only band, other than Phish, that won’t bullshit you. High expectations abounded for 2011′s double feature, particularly because the shows were also being transmitted live via the interwebs to living rooms, dorm rooms and parents’ basements worldwide. An official live stream was a blessing to all the fans on couch tour that were growing weary of tinny audio and herky-jerky images from cell phones at the shows. And there was a bit of a consensus that, if they’re recording it, they’ll probably do something extra-special [backwards Gamehenge, brah!]. Instead, the band delivered two nights of aptly-delivered greatest hits punctuated with a few moments of wit and brilliance.

Phish :: Page McConnell :: 06.14.11 :: Alpharetta, GA
Photo by Dave Vann Phish 2011

Night one started with a perusal of fans’ signs and stuffed animals – Mike got himself a new pet possum – before deciding on the rare, slightly ridiculous Dinner and a Movie, followed by the well-received quagmire groove of The Moma Dance and the fulfilled request for Possum, which wasn’t bad but wasn’t really all that special either, especially considering it was the sixth one played in a little over two weeks. A jam-free Cities with a shout out to Mary Johnson of Memphis preceded a particularly paradisiacal Fluffhead and a rowdy romp with Ocelot. The band saluted the South with a bit of bluegrass by way of Ginseng Sullivan before injecting a bit of heat to the set via the band’s latest driving rock jam vehicle, Kill Devil Falls. After an extended Bathtub Gin with a lofty peak, the VIP of the weekend, Mr. Page McConnell, began to emerge amidst a rare cover of Traffic’s Light Up or Leave Me Alone. The meandering organ ministrations added both texture and direction to a tight and focused jam, and his vocals were PRIME. Page continued to shine throughout the two nights, leaving more than a few fans wondering: Is it the glasses?

After a Cavern closer and fifteen minute setbreak, the band came out thrashing with Carini, which has found a home in the second set opener slot. A couple minutes into a muscular jam, Trey tried a little too delicately to lead his mates into Sand, but they seemed to miss the signals and the segue was about as subtle as a dynamite blast. Thankfully, this dance party of a song has a lot of fans, and the train wreck of a transition was quickly overshadowed by a boundless build through Type I territory that landed into a monster of a Down With Disease. The Disease jam could have been divided into chapters of a book or pages of an almanac, with Captain Anastasio navigating landscapes ranging from soaring peaks to funky valleys and then off into space. And just before that point where space could have gotten TOO spacey, the ticking time-bomb intro to Maze emerged, and the South got a little bit hotter. Page was the clear champion, fanning the frenetic flames with incendiary organ and reckless abandon.

After this trio of blockbusters, the band seemed to have little left in their jars of jam. Both Meatstick and 2001 were free of exploration, and the set closing Antelope was as unadventurous as a studio track, without the benefit of editing and tightening. Thankfully, the set was filled out nicely by a Bug with a beautiful piano outro that segued into A Day in the Life, where Page once again nailing the vocal duties. And the Mighty Quinn encore was pumped full of energy, reminding us that we were far from done.

Tuesday Setlist

Set 1: Dinner and a Movie, The Moma Dance > Possum, Cities > Fluffhead, Ocelot, Ginseng Sullivan, Kill Devil Falls > Bathtub Gin, Light Up Light Up Or Leave Me Alone > Cavern

Set 2: Carini > Sand > Down with Disease[1] -> Maze, Meatstick > 2001Also Sprach Zarathustra > Bug > A Day in the Life > Run Like an Antelope

Encore: Quinn the Eskimo

[1] Unfinished

Continue reading for coverage of Wednesday night in Alpharetta…

Words by: Billy Jack Sinkovic | Images by: Dave Vann

Phish :: 06.15.11 :: Verizon Wireless Amphitheatre at Encore Park :: Alpharetta, GA

Phish :: 06.15.11 :: Alpharetta, GA
Photo by Dave Vann Phish 2011

Some like it hot and wet, and if Tuesday night was hot, Wednesday night was definitely wet. About two hours before showtime, the winds were eager to beat fans back as the clouds grew huge and deathly black. As lot revelers traded their sunscreen for ponchos and the gypsies stashed their scores of feather earrings, Trey coozies, and grilled cheeses, the sky went from charcoal grey to an evil green color, ushering in the first of many storm cells that knocked down trees, caused power outages, and set the tone for a soggy show.

Despite the storms, the band started on time [which, for them, is about 45 minutes after the ticket says], and kept things wet and wild with rare bluegrass cover Paul & Silas (Lighting crashed and thunder rolled all night long), Back on the Train (See me standing in the station in the rain), and Water in the Sky (pick a lyric, any lyric). A tightly-knit Foam floated amidst the precipitation, as well as a fun and full Runaway Jim and the post-hiatus ballad Army of One. A sadly jam-less Roses Are Free was rectified by transitioning into the jam highlight of the first set, Timber [Jerry]. Although Trey clearly led the charge, Fishman sounded like a trio of drummers with tight and textured rumblings that made the thunder blush as Chris Kuroda obscured the lighting with his own layers of color, flash and flare.

Phish :: 06.15.11 :: Alpharetta, GA
Photo by Dave Vann Phish 2011

OK, stats geeks – hold onto your butts. When the claps and beats that signify the start of Mike‘s polyrhythmic Mound kicked in for only the fourth time since the break-up (and only the fifth post-hiatus), the rarity that’s never been a set closer and has only once opened a set ended up doing both. After yet another poignant Page solo to follow the first verse, robust gusts of wind brought the rains into the pavilion and tarps began to cover the equipment. Trey thanked his longtime guitar tech Brian Brown before reluctantly sharing that they had to cut the set short: I don’t wanna leave! But they’re making me leave! The song faded in and out amidst Trey’s banter, and there was almost a moment when it felt like Mound could get finished then and there, but a fierce crack of thunder sent the band running. And as the house lights came up and the warnings to seek shelter were announced, the rain fell sideways, the lawn emptied, and the pit flooded. The venue continued to make announcements in a positive light, and after what could have been a regular set break, the roar of approval to acknowledge the tarps being removed was as hearty as a lights-down approbation. And when the pavilion finally did go dark, Mound picked up right where it left off.

The opening riff of Tweezer yielded another detonation of cheers, launching into the best-of meat in a second set sandwich. Tweezer, Julius, Slave, Bowie, Suzy, Jibboo and Hood hold a seemingly infinite amount of jam potential, and although there wasn’t anything particularly bad about any of that run of songs – save the abrupt abolishment of Tweezer in favor of Julius – there was seemingly not enough that was really stellar.

Slave to the Traffic Light and Suzy Greenberg were definitely highlights. The band showed a lot of patience in the former, allowing the build to eloquently find its way to a magnificent peak. Suzy was driven by yet another smokin’ solo from Page’s piano. It got so hot that Page had to stand, and when Trey tried to start the final verse, Page said, NO. All it took was a few more blistering lines for the band to declare, This is Page’s house! before finishing the tune. Jibboo and Hood were efficiently executed, the latter with some fine but nowhere near epic moments, and after what could’ve been the perfunctory Character Zero closer, the band convened at the front of the stage for an a cappella farewell. Performed for only its second time, The Birdwatcher definitely did not display the band’s best vocal efforts, but it dissolved into the rare runaway golfcart marathon of Kung. Throw in a short but sweet Funky Bitch encore capped with the customary Tweezer Reprise, and the fans who stuck it out wandered from the venue soggy but smiling and satiated. On to North Carolina, where nothing could be finer

Wednesday Setlist

Set 1: Paul and Silas > Back on the Train, Foam, Water in the Sky, Runaway Jim, Army of One, Roses Are Free > Timber (Jerry) > Mound [1]

Set 2: Mound [2] > Tweezer [3] > Julius > Slave to the Traffic Light, David Bowie, Suzy Greenberg > Gotta Jibboo > Harry Hood > Character Zero, The Birdwatcher > Kung [4]

Encore: Funky Bitch [5] > Tweezer Reprise

[1] Unfinished; song (and set) had to be stopped mid-stream due to a strong incoming thunderstorm.
[2] Started mid-song after the rain delay (set break).
[3] Lyrics changed to reference the weather.
[4] A cappella.
[5] Birdwatcher teases.

Thanks to ZZYZX
for the stats info.

Continue reading for more pics from Tuesday at Alpharetta…

06.14.11

Photo by Dave Vann Phish 2011

Photo by Dave Vann Phish 2011

Photo by Dave Vann Phish 2011

Photo by Dave Vann Phish 2011

Photo by Dave Vann Phish 2011

Photo by Dave Vann Phish 2011

Photo by Dave Vann Phish 2011

Photo by Dave Vann Phish 2011

Photo by Dave Vann Phish 2011

Photo by Dave Vann Phish 2011

Photo by Dave Vann Phish 2011

Photo by Dave Vann Phish 2011

Photo by Dave Vann Phish 2011

Photo by Dave Vann Phish 2011

Photo by Dave Vann Phish 2011

Continue reading for more pics from Wednesday at Alpharetta…

06.15.11

Photo by Dave Vann Phish 2011

Photo by Dave Vann Phish 2011

Photo by Dave Vann Phish 2011

Photo by Dave Vann Phish 2011

Photo by Dave Vann Phish 2011

Photo by Dave Vann Phish 2011

Photo by Dave Vann Phish 2011

Photo by Dave Vann Phish 2011

Photo by Dave Vann Phish 2011

Photo by Dave Vann Phish 2011

Photo by Dave Vann Phish 2011

Photo by Dave Vann Phish 2011

Photo by Dave Vann Phish 2011

Photo by Dave Vann Phish 2011

Photo by Dave Vann Phish 2011

Photo by Dave Vann Phish 2011

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Trey Anastasio Band’s Saturday night show from The Palace Theatre in Albany, NY is now available for download at LivePhish.com. The show features a solo acoustic first set full of Phish classics and a fiery full band electric second set, including a new cover of the Gorillaz “Clint Eastwood” and a re-worked horn-driven arrangement of Phish’s “Ocelot”. You can download the show now at LivePhish.com.

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Phish | NYE Run | Review | Pics

Words by: Garrin Benfield | Images by: Dave Vann

Check out the photos from Worcester and MSG below the review

Phish :: 12.31.10 :: Madison Square Garden :: New York, NY

Used with permission from Phish.
Photo by Dave Vann Phish
2010

Getting to New York’s Madison Square Garden for Phish‘s New Year’s run was a
cakewalk compared to the blizzard
conditions that had universally complicated travel plans earlier in the week in Worcester. Outside the hallowed
venue, hundreds
of hopeful, ticketless souls wandered the tightly packed blocks of midtown Manhattan. Inside MSG, site of so many
notable moments in this band’s history, Phish closed the year in which they
truly
returned to form with three focused, sharp sets that were also not short on collective improvisation.

The first half of the first set was a perfectly paced party that also included its share of surprises. Punch You in the
Eye and AC/DC Bag, despite being two of the oldest and most frequently played staples in the Phish repertoire,
were played with real commitment by the whole band. Trey particularly zeroed in on the climax of the
latter
tune. As AC/DC Bag concluded with its upwardly spiraling fade out, the mid tempo funk of Moma Dance
emerged and quickly became the song when the band and audience truly relaxed into the set, the evening, and
perhaps the reality of another passing year. The clip of the infrequently played Scent of a Mule took the energy up
a notch, and was spot on throughout, including the tricky to navigate transitions from the klezmer jam back to the
bluegrass outro. And, as someone who won’t shy away from saying that Phish sometimes has an uphill climb with
accurate vocal harmonies, Mule was quite well sung.

The rest of the first set was a pleasantly mixed bag of debuts (the instantly likable shuffle of Phish’s next FM chance,
Burn that Bridge), classic staples from the near-yet-far era of the mid nighties (Weigh and Beauty of my
Dreams) and the downright unfamiliar (Gone, the obscure track from Party Time, that in my opinion may
have
been this set’s only misstep, inserting a pensive, tentative note into an otherwise celebratory collection of tunes).
Rock n’ Roll closed out the early set with a textbook jam that demonstrated Trey’s newfound climax-building
concision, a distillation of years of experience in the rarified field of jam artistry.

After a relatively short break, the band returned and burned through a non-stop second set that never let up in
intensity. Trey’s recent, more aggressive distortion tone led the charge on Wilson and a searing, Zappa-
fied 46
Days. The whole band appeared recharged for this set and ready to lay down some serious psychedelic prog-funk.
As Sand opened up into a weave of pointed staccato accents, the room exploded and the evening’s promise began
to truly come to fruition. In a year of many versions of Down with Disease, this outing delivered with both heroic,
major key riffage and twisted excursions into darkness. Ghost was also well balanced between its creepy funk
verses and a long, lighthearted major I-IV section. On a dime, the band collectively began to slow down until Trey
counted off a wonderfully executed You Enjoy Myself that included full blown Manteca choruses interspersed in
the jam, the bass solo, and in the final vocal improv that closed out the set. I think it’s safe to say the folks who
have dutifully carried around that Manteca banner all year were feeling pretty good right about now.

src="http://images.jambase.com/features/newswire/phishdancers.JPG">
Used with permission from Phish.
Photo by Dave Vann Phish
2010

Meatstick ambled to life to open the New Year’s set and at first didn’t even hint at the 19 minute spectacle that was
to follow. After the Japanese lyrics, a quartet of men dressed in traditional African garb entered stage right and sang
a few choruses, followed by a Mariachi band stage left, followed by an increasingly diverse collection of cultural
representatives all dressed in traditional outfits. Around this time, either a pre-recorded version of Meatstick
began playing or the front of house engineer had live-looped eight bars of the tune. Either way, the band was
subtley ushered off stage while the 50+ ensemble of dancers and singers went through a tightly choreographed
Broadway-style routine in the front of the stage and on risers behind the amps. Then the loop stopped, and the
company sang Meatstick in a chromatically ascending pattern until Phish emerged in the Hot Dog from New Year’s
past! Thousands of hot dog colored (and shaped) balloons began falling as the band, all smiles, traversed the
rooftop of the arena tossing foam wieners down on the crowd. Eventually landing on the stage, the band seamlessly
continued the tune until the countdown. A brief but incendiary After Midnight followed and served as the bridge
into the rest of the first set of 2011.

The whole band outdid themselves on the version of Backwards Down the Number Line that followed. This was a
valentine to the crowd, managing to simultaneously channel both a heart-tugging poignancy and a ferocious energy.
The same could be said of Waste, which induced memories of the many years and hundreds of shows many in
attendance had experienced together. Trey wove knots of Leslie-drenched notes at the song’s conclusion, and
eventually fell into a long, patient Slave to the Traffic Light. The band gathered at the front of the stage for the
absurd barbershop of Grind, and closed out a well considered and appropriately high energy show with First
Tube. Though for the first time in the band’s history they and many in the room would be returning the following
night for another show, this set felt like the exclamation point it was meant to be — a remarkable year for a band
whose diverse history is already marked with many.

All setlist information from Phish.net

Monday :: 12.27.2010 :: DCU Center :: Worcester, MA
I: Sample in a Jar, Funky Bitch, Cool It Down, Roggae, Heavy Things, What Things Seem, Roses Are Free >
It’s Ice, Mountains in the Mist, Julius

II: Mike’s Song > Mound, Weekapaug Groove, Farmhouse, Seven Below > What’s the Use? > Twenty Years
Later, Wading in the Velvet Sea, Possum > Cavern > David Bowie

E: Loving Cup

Notes: The end of Cavern was changed to “take care of your boots.”
Live Phish Download

Tuesday :: 12.28.2010 :: DCU Center :: Worcester, MA
I: Kill Devil Falls, My Mind’s Got a Mind of its Own, Alaska, She Caught the Katy and Left Me a Mule to Ride,
Wolfman’s Brother, Pigtail, Stash, Bouncing Around the Room > Rift, Stealing Time From the Faulty Plan, The
Birdwatcher
II: Carini > Backwards Down the Number Line > Back on the Train -> Limb By Limb > The Wedge >
Frankie Says > Albuquerque, Harry Hood > Bug
E: Shine a Light
Notes: She Caught the Katy was last performed on July 21, 1998 (323 shows). Trey used a device that
played Sarah Palin quotes during Alaska and after the debut of Pigtail. This show also featured the Phish debut of
Birdwatcher. Back on the Train featured a Streets of Cairo tease from Trey.
Live Phish Download

Thursday :: 12.30.2010 :: Madison Square Garden :: New York, NY
I: Cities, Chalk Dust Torture, Gumbo > Quinn the Eskimo, Halley’s Comet > Camel Walk, Maze, Driver,
Bathtub Gin, Fat Man in the Bathtub, Timber (Jerry) > Golgi Apparatus, Character Zero
II: Tweezer > Light > Theme From the Bottom -> My Friend, My Friend > Axilla, Fluffhead, Boogie On
Reggae Woman -> Also Sprach Zarathustra > Suzy Greenberg
E: Run Like an Antelope > Tweezer Reprise
Notes: The P.A. cut out during Camel Walk. My Friend did not contain the “Myfe” ending.
Live Phish Download

Friday :: 12.31.2010 :: Madison Square Garden :: New York, NY

I: Punch You In the Eye > AC/DC Bag > The Moma Dance > Scent of a Mule, Burn that Bridge, Weigh >
Ocelot, Beauty of My Dreams, Gone, Rock and Roll
II: Wilson > 46 Days, Sand, NICU > Down with Disease > Ghost, You Enjoy Myself -> Manteca -> You
Enjoy Myself
III: Meatstick, Auld Lang Syne, After Midnight, Backwards Down the Number Line > Piper > Free, Waste >
Slave to the Traffic Light, Grind

E: First Tube

Notes: This show featured the Phish debut of Burn That Bridge. Ocelot, NICU and First Tube contained
Auld Lang Syne teases. Beauty of My Dreams was played for the first time since July 22, 2003 (133 shows). Manteca
was played for the first time since October 30, 1998 (301 shows) and the ensuing YEM vocal jam contained Manteca
quotes. Before midnight, several groups of multiethnic dancers appeared on stage and sang the Meatstick lyrics in
their respective languages. The band joined the dancers and then stealthily disappeared from the stage, only to
reappear at the other side of the arena in the giant hotdog from past NYE shows (’94 and ’99). As a result, portions
of the Meatstick were pre-recorded. Appropriately, the post-show music was Captain Beefheart’s Tropical Hot Dog
Night.
Live Phish Download

Saturday :: 01.01.2011 :: Madison Square Garden :: New York, NY
I: My Soul, Tube > Runaway Jim > Foam, Guelah Papyrus > The Divided Sky, Round Room > Walk Away >
Gotta Jibboo > Reba, Walls of the Cave

II: Crosseyed and Painless > Twist > Simple, Sneakin’ Sally through the Alley > Makisupa Policeman ->
David Bowie

E: Fee, Frankenstein

Notes: Round Room was played for the first time since July 13, 2003 (140 shows). Twist contained
Manteca quotes from Trey. Makispua included the lyrics “I went home late last night after doing the New Year’s
stunt, I laid back on my couch and rolled myself a blunt” and also featured a “kick drum solo.” Frankenstein featured
Page on keytar.
Live Phish Download

12/27/10 – 1/1/11 – Phish @ DCU Center
(Worcester, MA) & Madison Square Garden (New York, NY)
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Photos

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