Hampton Phish – 2009 Hampton, VA Phish Video and Audio Clips

1% for the Planet, a global network of 1,200 companies that donate 1% of annual sales to environmental causes, has released a digital music compilation: 1% for the Planet: The Music, Vol. 1, the world’s first music compilation dedicated to supporting non-profit organizations working to create a healthy planet. The album aims to accelerate the 1% movement by engaging more people and inspiring more companies to join.

In early January the album hit #1 on Amazon.com’s MP3 download chart, and broke into the top 50 on iTunes’ bestselling album list. Featuring more than forty tracks for only $9.99, the album can be found on the 1% music web site, and on all major music download sites.

More than 40 musicians have donated music to the album and are featured on the 1% music site. Leading artists, including Jack Johnson, Jackson Browne, and Grace Potter, gave rare and exclusive tracks. “The artists are amazing. They have been incredibly supportive of the project from the beginning, and their passion is infectious. Fans hear the artists’ music and are inspired to get involved themselves” says Melody Grote, VP of Marketing and Acquisitions, 1%.

In the spirit of reducing waste generated from the distribution and disposal of traditional CDs, the album is an all-digital release. At the new 1% music web site, fans can sample and buy the music, see what the artists are saying about their involvement in the cause, and spread the word online. Supporters can visit the site to get a web badge to display on their site or blog, or use social media tools like Facebook and Twitter to spread the word.

Though the release is all-digital, the compilation is also available to offline purchasers. With a greater number of consumers buying CDs only to store them after they’ve saved the music digitally, 1% for the Planet offers consumers and retailers a more earth-friendly option in purchasing music. Eco friendly download cards allow the music to be merchandised in retail stores alongside regular CDs. The download card evokes the look and feel of a CD but is made entirely of recycled paper. Consumers purchase the download card with an enclosed access code which allows them to download the music. The new format is available now to retailers worldwide.

“1% for the Planet: The Music, Vol. 1 is an easy way to make a difference for anyone who loves good music,” says Grote. “Listeners can share the music online with their friends, family and colleagues in order to exponentially increase giving to the environment.”

Details on all 41 tracks can be found at music.onepercentfortheplanet.org.

Words by: Justin Gillett | Images by: Eric Lawson

John Butler Trio :: 02.20.10 :: Great American Music Hall :: San Francisco, CA

Last year John Butler started a new chapter in his storied career with the induction of two new musicians into his Trio. The new lineup signaled a change for Butler, who had been playing with his longtime bandmates bassist Shannon Birchall and drummer Michael Barker since 2003. While changing the dynamics of the band must have been a decision that required a lot of thought on behalf of Butler, the move almost seems like it was necessary to keep the vitality of the Trio alive. The new guns Butler brought aboard, Byron Luiters (bass) and Nicky Bomba (drums), have given the Trio a much needed shot of energy. The different skills Luiters and Bomba bring with them has helped brighten the band’s overall sound and remind people why, years ago, they fell in love with John Butler Trio in the first place.

Considering this was the Australian act’s first North American tour to feature Luiters and Bomba, when they touched down at San Francisco’s Great American Music Hall all three musicians seemed intent on proving themselves individually as well as validating the strength of the band’s current incarnation.

It took a few songs for the band to truly lock in, but once they found the sweet spot the Trio was playing as tight as any previous incarnation of the band. Butler wailed on his assortment of guitars – using distorted effects to add an extra push to his acoustic solos – while Bomba kept impressive time on the drum kit. Opting to keep more of a focus on toms rather than cymbals, Bomba’s playing had a distinct tribal quality and further contributed to the Trio’s alternative roots rock sound.

John Butler Trio :: 02.20.10 :: San Francisco, CA

While it was refreshing to see Luiters start off the set with an upright bass (a mainstay of the Trio’s old sound), he quickly changed to an electric four-string Fender Precision. Because the Trio’s erstwhile bass player predominantly used an upright, the changing of instruments caught some people off guard who were not expecting piercing, metallic sounding electric bass tones. But Luiters’ delicate touch and fondness for playing in a song’s pocket worked well with the Trio’s heady sound and furthered the band’s new approach.

Though it was easy it get lost in some of the band’s Afro rhythm melees, focus couldn’t be shifted from Butler and his impressive manipulation of the various instruments he played. While he was positioned stage right, Butler’s commanding demeanor and musical dexterity held the audience rapt as he shifted between six-string acoustic, banjo, 11-string acoustic (which is really just a 12-string model with the high G string removed), six-string electric and lap steel guitar. The way Butler changed guitar tones with his myriad of effects pedals further complimented his range and innovation as an instrumentalist. His intricate, ever changing sound was a testament to Butler’s development since bursting on the scene back in the mid-90s.

As the show concluded it was apparent that Butler is now venturing into unknown territory with his new band and is in the process of truly embarking on a new musical path. He’s come a long ways from busking on the streets in Western Australia, yet somehow Butler’s enduring qualities remain intact. John Butler proved with this San Francisco show that he doesn’t need to turn his back on his roots to grow and evolve as a musician.

Continue reading for more pics…

John Butler Trio

John Butler Trio

John Butler Trio

John Butler Trio

John Butler Trio

John Butler Trio Tour Dates :: John Butler Trio News :: John Butler Trio Concert Reviews

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Go See Live Music!

The Flying Skulls

1320 Records & ArtNowSF have announced the first ever 1320 Records showcase, 1320.SF. This inaugural event will take place Thursday, April 1st at Temple in San Francisco and will feature 1320 artists including David Murphy & David Phipps of STS9, Nalepa Dub Orchestra, The Flying Skulls, Virtual Boy, Savage Henry and Knowa Knowone as well as visuals by Kevlar. In addition to seasoned veterans STS9, these local 1320 artists represent the crme de la crme of the up-and-coming electronic music scene.

The intention of the 1320 Showcase is to celebrate music, bring to light local talent, and build an ever-expanding community and musical support system. Look for more 1320 Showcases around the country in 2010.

STS9’s boutique record label, 1320 Records (thirteentwenty) is STS9’s passion for music manifested, and it is quickly becoming the go-to digital label for in-the-know music addicts in search of new listening, and for underground indie artists looking to be heard.

This growing self-sufficient label, which recently released STS9’s 2009 studio effort Ad Explorata, delivers offerings hand picked by the members of STS9 including upcoming releases by John Hughes, Alex B, and Eliot Lipp.

Thursday, April 1st @ 9 p.m.

Temple

540 Howard Street, San Francisco

Ages 21+ Welcome

For more information and to purchase tickets please visit: sts9store.com/Store/ChooseTicket.aspx?sid=10341.