Dinosaur Jr. :: 12.15.11 :: The Fillmore :: San Francisco, CA

Henry Rollins

Those in the Bay Area looking to satisfy their hunger for some crushing, sonic-assault fretwork knew where to find it on this Thursday night, as legendary post-punk guitarist J Mascus and his band Dinosaur Jr. were in town and ready to blow some eardrums. But this was no ordinary Dino Jr. show, oh no, this mini tour was a celebration of their landmark 1988 album Bug, which the band performed in its entirety, but not before being interviewed onstage by none other than Henry Rollins, punks own master of the spoken word.

The night started civilly enough with Rollins giving the band his own enthusiastic introduction, and was followed by an interesting Q & A session that touched on a number of topics: the rarity of soloing in punk music (and how J Mascus pulls it off brilliantly), the excitement of playing in the legendary, acoustically-perfect Fillmore (it’s hard to have a bad night here), the importance of the rhythm section being locked in underneath Mascus barrage of distortion, and Mascus perfectionism (he wrote every drum and bass part for every song on Bug). Rollins assertive questions and commanding presence were contrasted by Mascus droll, simple answers and unassuming persona, though this would all change once he strapped on his guitar.

Dinosaur Jr.

After a short break, the band came out revved up and ready to rock. Dwarfed by towers of Marshall stacks, Mascus transformed into a true force of nature, a shaman of sorts churning out super thick n crunchy bursts of sound, while bassist Lou Barlow (strumming chords, no less) and drummer Murph laid down a tight foundation — essentially the canvas for Mascus to paint on. His aggressively loud, ragged playing was cathartic in its absoluteness — the distortion washed over us, and we were taken away.

After playing two newer songs to warm things up, the band launched into side one of Bug, and the crowd and band alike threw themselves into the familiar music. Opening with Freak Scene, Mascus immediately showed us that he is in a league of his own when it comes to soloing — using feedback and raw sonic distortion, he can contort sound to his liking, making statements with his guitar outside of the realm of tonality. This contrasted with his mopey, mumbling vocals, which delivered his tuneful lyrics like the shy kid in the back of the class. These disparate contrasts of wimpy melodies and ferocious guitar define the sound of Dino Jr, and the crowd lapped up every moment.

J. Mascus by Malzkorn

Adding to his own legend, Mascus also showed us that he can shred more traditional, melodic solos just as well as he can experiment in the outer realms of feedback. His sprawling, grandiose guitar work on the catchy They Always Come solidified him as a true dirty rock god in my book. Things barreled forward at a furious pace from there, with Murph pounding the skins and Barlow chugging out bass lines and chords underneath the sonic whirlwind. The set reached a roaring, freak-out peak with Bugs final song, Dont, in which a fan was brought on stage to scream the songs one angsty line (Why dont you like me?) over and over while the band climaxed in a shredding, ferocious double-time barrage of noise and aggression before ending the set in a hypnotic feedback loop.

After a heavy set which essentially blew out our brains, minds and ears, it was nice to have an encore that showcased their more mainstream 90s days; namely, their two major label hits, Out There and Feel the Pain. These poppier tunes saw Mascus clean up his tone, upon which he proceeded to straight kill us with a searing metal shred-fest that inspired pangs of nostalgia to well up in me for the days when MTV actually showcased awesome music like this. To close the show, Mascus barreled us over with a final bout of sonic assault that left my head ringing for days after. We poured out of The Fillmore feeling cleansed by the power of electric music, knowing right well that there is no band on this earth that can do what Dinosaur Jr. does. May the slacker ethos live forever!

Dinosaur Jr. Tour Dates :: Dinosaur Jr. News

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Ruthie Foster

Ruthie Foster has added more Spring dates in April and May to support the release of her new album, Let It Burn (out January 31). Check out her complete itinerary below.

Her January 31 performance and interview at the Grammy Museum in Los Angeles will be available to fans throughout the world on a web simulcast. The initial dates on the tour are co-bills with acclaimed Mississippi singer-songwriter Paul Thorn.

As previously reported, Ruthie recorded the record in New Orleans with some of the city’s most respected players, including The Funky Meters’ rhythm section of bassist George Porter Jr. and drummer Russell Batiste, guitarist Dave Easley, renowned saxophonist James Rivers, Hammond B3 wizard Ike Stubblefield, and finally, legendary gospel singers The Blind Boys of Alabama and soul icon William Bell.

Ruthie Foster Tour Dates

Van Dyke Parks

Legendary artist, composer and producer Van Dyke Parks will embark on a run of Southeast tour dates, including a February appearance at NPR’s Mountain Stage. After a set of dates with Fleet Foxes last fall, Parks will return to this part of the country once again in support of his unique 7″ vinyl series with artwork from some of the most important contemporary artists of our time, including Ed Ruscha, Art Speigelman, Frank Holmes and many more.

Parks will kick off this run of performances with a set at Santa Barbara’s Soho Restaurant & Music Club on Tuesday, January 31. The show is in conjunction with an after party for the screening of “Music Man Murray,” a documentary scored by Parks, and written and directed by his son, Richard Parks premiering at the Santa Barbara Independent Film Festival.

This series of 45′s is Parks’ first new studio music in over 15 years, since his acclaimed album Orange Crate Art. Announced last August on his own label Bananastan, the first four vinyls are available for purchase at the label’s website and during the forthcoming live appearances.

In December, Parks released the latest single ‘Amazing Graces’/Hold Back Time’ with Charles Ray art and will release the final two installments on March 20: ‘Sassafrass’/ ‘The All Golden’ illustrated by both Billy Edd Wheeler and Klaus Voormann and ‘Missin’ Missippi’/'The Parting Hand’ with sleeve art by Sally Parks, and Stanley Dorfman.

Van Dyke Parks On Tour