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BELA FLECK, DMB, DAVID BYRNE/BRIAN ENO, PHISH RECEIVE GRAMMY NOMINATIONS

Bela Fleck

The 52nd Annual Grammy Nominations were announced last night, including some relevant JamBase artists. To be eligible for an award, artists must have released a recording between October 1, 2008 and August 31, 2009.

Among those receiving nominations were David Byrne and Brian Eno‘s Everything That Happens Will Happen Today for Best Alternative Music Album, Dave Matthews Band‘s Big Whiskey And The Groogrux King for Album of the Year and Best Rock Album, Kings of Leon‘s “Use Somebody” for Song of the Year, Silversun Pickups and Zac Brown Band for Best New Artist, Bela Fleck‘s “Throw Down Your Heart” for Best Pop Instrumental Performance, T Bone Burnett for Producer of the Year, Steve Earle for Best Contemporary Folk Album for Townes, Neko Case earned two nominations for her album Middle Cyclone, one for Best Contemporary Folk Album and the other for Best Recording Package, Mos Def got the nod for Best Rap Album, and Phish‘s Clifford Ball DVD Box Set for Best Boxed or Limited Edition Package.

Beyonce led all artists with 10 nominations, while Kanye West, Jay-Z, Maxwell, Lady GaGa, and Taylor Swift all received a predictably large amount of nods.

The Grammys will be held on January 31, 2010 in Los Angeles. Major category nominations are listed below.

Record of the Year:
Beyonce: “Halo”
The Black Eyed Peas: “I Gotta Feeling”
Kings Of Leon: “Use Somebody”
Lady Gaga: “Poker Face”
Taylor Swift: “You Belong With Me”

Album of the Year:
Beyonce: I Am… Sasha Fierce

The Black Eyed Peas: The E.N.D.
Lady Gaga: The Fame

Dave Matthews Band: Big Whiskey and the Groogrux King
Taylor Swift: Fearless

Song of the Year:

Lady Gaga: “Poker Face”
Maxwell: “Pretty Wings”
Beyonce: “Single Ladies (Put a Ring On It)”
Kings of Leon: “Use Somebody”
Taylor Swift: “You Belong With Me”

Best Alternative Music Album:

David Byrne & Brian Eno: Everything That Happens Will Happen Today
Death Cab For Cutie: The Open Door
Depeche Mode: Sounds of the Universe
Phoenix: Wolfgang Amadeus Phoenix
Yeah Yeah Yeahs: It’s Blitz!

Best New Artist:

Zac Brown Band
Keri Hilson
MGMT
Silversun Pickups
The Ting Tings

Best Rap Album:

Common: Universal Mind Control
Eminem: Relapse
Flo Rida: R.O.O.T.S.
Mos Def: The Ecstatic
Q-Tip: The Renaissance

Best Rap Song:

Drake: “Best I Ever Had”
Kid Cudi: “Day ‘N’ Nite”
T.I. and Justin Timberlake: “Dead and Gone”
Jay-Z: “D.O.A. (Death of Auto-Tune)”

Jay-Z: “Run This Town [ft. Rihanna and Kanye West]”

The complete list of nominations can be seen here.



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Words by: Brian Bavosa | Images by: Steven Walter

Phish Festival 8 :: 11.01.09 :: Indio, CA

SEIS

Phish Festival 8 :: 11.01 :: Indio, CA

The final day of Festival 8 brought out some firsts for the band. Beginning a bit after noon on Sunday, Phish settled into a stripped down arrangement for their first ever, full-length acoustic set.

The set opened with a few numbers fans were expecting to hear, like “Water in the Sky” and “Get Back on the Train,” a fluttering “Strange Design,” as well as a few more daring tunes for an acoustic setting, such as “The Curtain With.”

With the blistering sun again beating down upon patrons, Trey told the audience to sit down at the beginning of the set, something he later explained he’d never be able to do because he can’t take orders, which led to the frontman jumping out of his seat for “Wilson.”

The acoustic early afternoon set proved to be the perfect scenario after the musical chaos and relentless ass-kicking of Halloween. It provided the opportunity to sprawl out in the lush, green grass of the concert field and float away to the simple melodies of “Bouncin’ Around the Room” and “McGrupp and the Watchful Hosemasters.” The acoustic version of “McGrupp” was clearly a highlight that allowed fans to appreciate what a wonderful composition the song is, shinning in this unique setting.

The tripe encore of “Driver,” “Talk,” a song that really flourished with Trey on acoustic, and “Secret Smile” closed things out. The acoustic portion of Sunday truly captured the laidback, SoCal vibe of Festival 8 in a nutshell.

SIETE

Phish Festival 8 :: 11.01 :: Indio, CA

After the Packers/Vikings and World Series games that saw the masses huddle around giant screens, sprawl out on couches and picnic tables, and imbibe heavily at the Bloody Mary bar, Phish hit the stage for their seventh set of the weekend just before 6 p.m., shortly after the sun had set and the temperature dropped.


Opening with the upbeat, fan favorite, “AC/DC Bag,” Phish was back in familiar territory – electric, where let’s face it: this band belongs. “Bag” was cut a bit short, Trey pulling out of the jam and instead segueing into “Rift.” A welcome choice, but a bit puzzling since they had played “The Curtain With” earlier, and both songs contain a very similar composed section.

“Gotta Jibboo” got the crowd gyrating; before the set seemed to sort of fall apart. The set wasn’t bad, but seemed disjointed at times, and the band simply looked tired. This point was further driven home with some major flubs in “Reba” and “Guelah Papyrus.” But, it didn’t matter. There were no haters around and everyone continued to move along, including the band who did manage to end the set on a high note with a Fishman-led, super tight and funky “Undermind,” and a mostly razor sharp set closer of “Split Open and Melt.” A set that will get lost in the mix of the weekend, it did have a few choice moments buy lacked cohesiveness overall.

OCHO

Phish Festival 8 :: 11.01 :: Indio, CA

We made it: the eighth and final set of the weekend! Clocking in at around two hours, the set started off good, but eventually turned great. An infectious, danceable “Tweezer” kicked things off and found Gordon dropping bombs of thunder that felt like they might pull rain from the desert sky above.

A panic-attack inducing “Maze” swirled with McConnell‘s organ and Anastasio’s piercing licks, before things morphed into “Free.” A bombastic version of one of the band’s most beloved jams, “Free” turned the sea of people into one glowing mass of smiles, many with eyes closed and arms raised over head.

Clearly feeding off the crowd’s energy, the band moved into the new Gordon track “Sugar Shack,” featuring funky, calypso rhythms and Gordon’s quirky vocals. Things were gaining speed and truly hit a stride during a triumphant “Limb by Limb” and a very well played “Theme From the Bottom” that soared high with the song’s classic, ethereal jam.

Many fans felt the best set of the weekend was the eighth and final offering. Well executed and perfectly balanced, we were treated to soaring highs, funky dance numbers, and dark, chaotic, dissonant weirdness like that found in the massive “Mike’s Song.” Drifting out of “Mike’s,” “2001″ lit a party keg under an already amped-up crowd that busted their best dance moves during the legendary space-funk. With the band pumping the beats, lighting director Chris Kuroda brought “2001″ to new heights with rainbow patterns and backlit palm trees behind the stage. Known by phans as CK5, Kuroda just might be the best light guru in the game.

Phish Festival 8 :: 11.01 :: Indio, CA

From the darkness emerged “Light,” which featured a very weird, atypical, almost Type-II jam, with a “Burble” twin off to the side of the crowd. At times the “Burble” looked like a guitar, then a piano, and finally a hand playing or waving.

After exploring “Light,” Phish laid a delicate, raw lining over the masses with the majestic “Slave to the Traffic Light.” One of be best show closers in the band’s repertoire, it summed up the weekend: amazing, beautiful, dangerous at times, but clearly worth the journey.

An extended encore of “Grind,” a very unexpected “Esther,” which was performed flawlessly with McConnell’s circus style organ capturing the festy vibe in a snapshot. In a subtle way, “Esther” also signaled that Festival 8 had come full circle. Back at the band’s first festival, 1996′s Clifford Ball, “Esther” was played early on, but had not made an appearance at any of the following festivals.

A bunch of thank yous to Red Light, Goldenvoice and Phish peeps in general, Trey said they hoped to do it again, emitting a universal cheer. The icing on the donut was a raging “Tweezer Reprise” in which the stations at the back of the crowd erupted a few final times with huge bursts of flames.

Festival 8 was a triumphant success and a welcome return to the festival atmosphere for Phish. Exile was nailed, some of the best jamming in years, and a relaxed vibe made Coventry seem like a distant memory. A true epiphany for all in attendance, and from what showed onstage, the band as well.

More photos of this show available here.

Phish Festival 8 :: 11.01.09 :: Indio, CA
I (Acoustic): Water In The Sky, Back On The Train, Brian And Robert, Invisible, Strange Design, Mountains in the Mist, The Curtain With, Army Of One, Sleep Again, My Sweet One, Let Me Lie, Bouncing Around The Room, Train Song, Wilson, McGrupp And The Watchful Hosemasters

Encore: Driver, Talk, Secret Smile

Set II: AC/DC Bag, Rift, Gotta Jibboo, Heavy Things, Reba, The Wedge, Guelah Papyrus, Undermind, Sparkle, Split Open & Melt

Set III: Tweezer > Maze, Free, Sugar Shack, Limb By Limb, Theme From The Bottom, Mike’s Song > 2001 > Light > Slave to the Traffic Light
Encore: Grind, Esther, Tweezer Reprise

Get the complete Phish Festival 8 story at jambase.com/phish. Complete Phish tour dates available here.

JamBase | Gone Phisin’

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Words by: Brian Bavosa | Images by: Steven Walter

Phish Festival 8 :: 10.30.09 :: Indio, CA

Phish Festival 8 :: 10.30 :: Indio, CA

Festival 8 is not your regular Phish show. It’s not even a typical Phish festival.

Phish put on their first fest in 1996 with The Clifford Ball. 1997 welcomed The Great Went, 1998 Lemonwheel, 1999 Camp Oswego, 1999 brought the epic New Years event at Big Cypress, 2003 found It, and finally, 2004 brought fans to Vermont for Coventry. Festival 8 is the band’s eighth festival. But it also falls on Halloween, making it significantly different than any of the previous events.

Not only does Phish have deep history in regards to throwing festivals (many credit them with helping revolutionize American festivals as we know it), but the band’s Halloween shows are the stuff of legend. Dating back to 1994 when Phish performed The Beatles’ White Album in its entirety (and in order) in Glens Falls, New York, they have donned a “musical costume” for each following Halloween they would play.

1995′s “costume” was The Who’s Quadrophenia performed in Chicago. 1996 was The Talking Head’s Remain In Light busted out in Atlanta, and the last Halloween show Phish performed was in Las Vegas in 1998 where they did The Velvet Underground’s Loaded.

Festival 8 unofficially kicked-off on Thursday night with a soundcheck including teases of “Fuck Your Face” (last played about 20 years ago) and MGMT‘s “Kids,” off their smash hit Oracular Spectacular, which is rumored to be one of the eight remaining possible albums Phish will cover (they have been “killing off” a list of potential albums featured on their website, supposedly leading to the final selection which will be performed in its entirety on Halloween). Toss in the one-of-a-kind, unique stylings of the ground’s art, complete with 140 lit palm trees, “The Coil,” the burning heart of fire, beer tent, The House of Live Phish (where fans can mix songs from this past summer tour), giant Ferris Wheel, and white tents reminiscent of Shoreline, and Phish has turned The Empire Polo Club into what they are calling “Little Vermont.”

UNO

Trey – Phish Festival 8 :: 10.30 :: Indio, CA

Opening the first of eight weekend sets with “Party Time,” the feeling was immediately relaxed, a sort of anything-goes vibe. “Chalkdust Torture” came next, igniting the crowd with its trademark reckless abandon. The deep funk of “The Moma Dance” and a well placed “NICU” continued to build momentum, before a mid-set “Stash” offered the first real jam of the weekend, hitting some high points without getting particularly dissonant or scary.

A rare “I Didn’t Know” saw Jon Fishman play a vacuum solo while simultaneously “sucking and blowing in the shape of an eight,” followed by “Poor Heart” and “Cavern” that gave this portion of the show a real vintage ’92 feel.

“Beauty of a Broken Heart” is a Page McConnell number from his solo, self-titled, 2007 release, and tried to shine in Indio, but this entire set was already mailed in. Not lackluster or performed without passion, but Set I was akin to tantric sex. For all previous fests the band has been careful not to blow their load, instead working the crowd slowly, bringing the masses into a shared state of being that will last for hours and days upon end.

“Time Turns Elastic,” another tune off of the band’s latest release, Joy, concluded an hour-and-forty-minute set with a flurry, especially the last four-minutes, which are by far the most interesting part of the song.

DOS

“Punch You in the Eye” opened up the second set, with the line “where palm trees dipped and seagulls swerved,” drawing a huge response as lighting director Chris Kuroda splashed color upon the trees behind the stage. “Down With Disease” was on fire, bringing some of the most intense jamming of the night with Trey busting out celebratory licks on his Languedoc guitar. Morphing into “Prince Caspian” out of “DWD,” things again slowed a bit, but featured a McConnell led, Wild West-esque, bobble outro before a slamming “Wolfman’s Brother,” which was funky and stripped down featuring a concise Trey and Page led duel. Although a short version of “Wolfman’s,” it was still one of the night’s strongest numbers.

Phish Festival 8 :: 10.30 :: Indio, CA

The end of the set featured a standard “Joy,” before a menacing “David Bowie,” with Trey remarking, “we’re gonna give you a little hint about the Halloween album now.” A cryptic comment for sure, it’s hard to know exactly what Trey meant, but the obvious answer seems to be that they will not be playing David Bowie’s Hunky Dory, which up to this point was still one of the eight records still “alive” according to the band’s website.

The artistic highlight of the night was definitely “Harry Hood” with the roaming “Balloon Burble,” which is a blimp-like, balloon structure wired for psychedelic color via remote control. At times during the chill “Hood” jam it looked like a giant pill of rainbow that brought many back to Phish’s first festival 13 years ago at The Clifford Ball when the “Hood” jam featured fireworks. Full circle indeed.

A fun closer of “Golgi Apparatus” didn’t have the typical kick at the refrain, “I saw you with a ticket stub in your hand!,” because attendance seems slightly less than anticipated. Perhaps 30-50 thousand people as opposed to the 70 or 80 that the Polo Fields are capable of holding. The “Character Zero” encore was hot and full of gritty rock power chords, but the crowd seemed almost subdued, perhaps in shock that this historic even was finally underway.

Walking out shortly after midnight, a showing of The Shining on a giant movie screen attracted a plethora of bug-eyed campers, while many, including myself crept back to nearby condos and hotels to ponder what Phish had in store for Halloween.

More photos of this show are available here.

Phish perform again tonight on Halloween! Keep an eye on jambase.com/phish for live Tweets, setlists, pics and full reviews. Complete Phish tour dates available here.

Phish Festival 8 :: 10.30.09 :: Indio, CA

Set I: Party Time, Chalkdust Torture, Moma Dance, NICU, Stealing Time From The Faulty Plan, Stash, I Didn’t Know, Poor Heart, Cavern, Beauty of a Broken Heart, Ocelot, Time Turns Elastic

Set II: Punch You In The Eye, Down With Disease > Prince Caspian > Wolfman’s Brother > Piper > Joy, David Bowie*, Harry Hood, Golgi Apparatus

Encore: Character Zero

* “We’re gonna give you a little hint about the Halloween album now.” -Trey

JamBase | Indio

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