February 8, 2012 in 06, 09, 10, 12, 17, 2, 25, 28, 3, 30, 50, 9, 99, a, after, age, all, am, an, and, Are, around, as, at, Austin, Ball, ban, band, bands, Bass, beginning, big, bite, black, blue, bonnaroo, book, bouncing, Burn, but, by, ca, california, can, center, City, comes, community, concert, Crowd, dance, davis, DAW, Day, Day., down, Drums, electric, en, Encore, end, Eve, Eyed, FEAT, fee, festival, fi, finish, First, FOR, four, Free, Friend, From, Funny, Germany, get, gin, give, glow, golden, Good, grace, great, Groove, ground, Guitar, hampton, hi, high, How, ice, in, into, is, IT, IX, jam, jammin, jamming, jazz, John, Joy, King, know, las, Last, late, Led, let, light, Like, LITTLE, live, live music, long, lot, love, MA, Made, MI, mike, mix, mixing, mod, Much, Music, My, nc, New, News, NH, night, no, nothing, ny, of, on, one, op, Open, opener, opening, out, PA, Part, Phish, photos, play, player, Pop, post, Pot, pro, producing, production, Pt, quartet, rad, radio, radiohead, read, rock, roll, row, rs, Say, SC, set, show, Shows, So, Something, song, Soul, sound, SPAC, St, stage, stars, state, steve, street, studio, tab, Taste, That, the, theatre, third, times, to, Too, tour, Trip, tropical, two, underground, us, va, van, velvet, venue, view, vocal, WA, WAITING, Walk, war, Way, ways, we, Weed, Ween, with, words, years, You, Your |
Words by: Dennis Cook | Images by: John Margaretten
Wilco with White Denim :: 01.28.12 :: San Jose Civic Auditorium :: San Jose, CA
A gallery of photos from the 02.01.12 Davis, CA show at the Mondavi Center For The Performing Arts is below review!
 White Denim :: 02.01.12 :: by John Margaretten |
While most of the polite, clean cut crowd waiting outside the recently reopened San Jose Civic were there for Wilco, I had come primarily to see handpicked opener White Denim, simply one of the fastest evolving, fully switched-on young bands working today. While this Austin, TX-based quartet play very different music than the headliner, theres a shared spirit of exploration and openness that marks both bands which makes the pairing just good sense, an acknowledgement of congruities and a nice lil gift to Wilco fans, most of whom seemed to be hearing White Denim for the first time this night.
The band tiptoed in with Street Joy, taking advantage of an audience of inclined to shut up and listen to music after years of leaning in to hear what Jeff Tweedy and company had to say. The tenderness and rising ache of this standout from last years stellar D album moved into a spacey whoosh, controls set directly for the heart of the sun, and within two pieces White Denim had already illustrated one of their greatest strengths a head-scratching knack for switching gears swiftly and seamlessly. James Petralli (vocals, guitar), Joshua Block (drums), Steven Terebecki (bass, vocals) and Austin Jenkins (guitar) moved with a strange, compelling mixture of youthful herky-jerky energy and limber, almost athletic musicianship. Theres almost a prog-rock ethos at work but infused with punk/post-punk attitude. By the third tune, the four-piece were interlocking and lunging with such empathy that the whole enterprise ceased to be a compilation of elements and simply breathed as a whole, a rock n roll animal with thick fur and glimmering teeth.
 White Denim :: 02.01.12 :: by John Margaretten |
There is no doubting the hunger inside White Denim, and a coveted opening slot for one of Americas biggest bands is precisely where they belong right now. More than half a decade of honing their sound, bouncing around indie labels, and trudging from SXSW to Timbuktu in search of an audience has produced a band, as witnessed in San Jose, on the verge of their next evolutionary leap a move that is likely to take them from the clubs theyve largely inhabited into small theatres and beyond. At the moment, their music is struggling a bit to adapt to the larger spaces this Wilco tour finds them playing, but it was exciting to see them realize the potential reach their music possesses in real time at the Civic. Mixing together scraps of Tropicalia, tasty soul jazz licks and propulsive Velvet Underground-isms, they showed how familiar elements can be repurposed into original shapes. And just when one would think theyd settled into big groove, an unexpected curve would whiff by our ears, one suddenly tossed into, say, the updated 60s pop of No Real Reason (a boffo ballad off the recently issued Takes Place In Your Work Place EP) or taken deep into the recesses of burly group jamming. White Denim is a trip worth taking, and the boisterous round of applause as they finished their set spoke to a growing number of folks ready to jump on board wherever they might be traveling.
 Wilco :: 02.01.12 :: by John Margaretten |
So, what about Wilco? Having never seen them play outside of a festival set at Bonnaroo a number of years ago, I honestly had no real expectations despite the countless glowing reviews of friends and critics firmly under the bands sway. While always admiring of their studio work, Id never made the leap to actual fandom, always kept at bay by Tweedys thin, modernized Dylan voice and something in the lyrics that just never snagged my emotional center. That said, I was assured by folks I trust on such matters that seeing Wilco live would reveal their true glory. Thats a lot for any band to live up to but I tamped down high expectations and just listened intently as they took the stage.
Opener One Sunday Morning (Song for Jane Smiley’s Boyfriend) is a patient build, very much the child of Dylan at his expansive, poetic 1960s best, and featured some of the most controlled, lovely playing I have ever heard. Seriously, it and all that followed showcased some of the most beautiful, technically savvy, intuitive playing Ive ever witnessed in my long years of concert-going. While the source material and the focal point within Wilco simply may not be my personal bag, there is no denying that the players in this band are phenomenal, each serving the songs with near-penitent devotion and focus, producing an ineffable glow to Wilcos music in San Jose – something that cant really be pinned down in clumsy words.
 Jeff Tweedy :: 02.01.12 :: by John Margaretten |
More than the actual content/subject matter of the lyrics holds sway. Theres little doubt that Tweedy and his cohorts are striving towards larger understanding, the rock show used as a form of community building that pushes towards common understanding of our shared imperfections – which is sort of funny coming from such a thoroughly professional production, where things began right on time and unfolded with a practiced grace in every element lighting, stage design, sound. There was NOTHING imperfect about this night, which at times made certain numbers feel a touch too rehearsed, too familiar, too comfortable. For all the echoes of Bobs freewheeling days down to the blazing musicianship of dudes like Mike Bloomfield and Al Kooper Wilco came off as all-pro, all-the-time to me. Maybe because Im not part of the cult, Im less charmed by Tweedys quirks and between song banter, which mostly struck me as vaudeville moderne, a stage device an intensely personal artist has mastered in order to ply his trade. And Im not saying I wasnt charmed along with everyone else in the Civic, only that my years of watching countless rockers at work gives me an instinct for whats really happening in the moment and what comes from a well-studied playbook. This band is WELL aware of the Pavlovian bells to ring on faves like Handshake Drugs and Jesus Etc. and shook them loud and clear this night but for my own tastes, I kinda wish theyd dance on the edge a bit more like new one Art of Almost, which lit up the beginning of their set with Radiohead worthy electricity and chrome-plated futurism, or even the sprightly Nick Lowe/Rockpile-esque pop of I Might, which avoided the mid-tempo pacing they favor on a few too many songs.
In the end, walking back to my car as the encore wrapped, I came to the conclusion that Wilco is undeniably one of the best outfits operating today, as classy and well formed as anything America has kicked up since rocks first great swell in the 50s/60s. Its unlikely Ill become a fan anytime soon but its hard to imagine anyone with an appetite for fundamentally perfect rock not digging a great deal about this band.
San Jose Setlist
One Sunday Morning (Song for Jane Smiley’s Boyfriend), Art Of Almost, I Might, Bull Black Nova, Side With The Seeds, California Stars, Red-Eyed and Blue, I Got You (At The End Of The Century), Born Alone, (Was I) In Your Dreams, You Are My Face, Impossible Germany, Box Full Of Letters, I’m Always In Love, Jesus, Etc., Capitol City, Handshake Drugs, War On War, Dawned On Me, A Shot in the Arm. [Encore]: Whole Love, Walken, I’m A Wheel
2/1/12 – Wilco and White Denim @ Mondavi Center for the Performing Arts (Davis, CA) View Photos
White Denim Tour Dates :: White Denim News
Wilco Tour Dates :: Wilco News
JamBase | Golden State
Go See Live Music!
Tags: america, ban, dance, hampton, jam, John, light, mike, night, Pot, quartet, rad, studio, view, wilco
January 7, 2012 in 06, 10, 11, 12, 2, 2011, 28, 29, 3, 30, 31, 50, 9, 99, a, after, Again, age, all, Also, am, an, and, another, Are, as, at, Auld, Auld Lang Syne, away, Backstage, Ball, balloons, ban, band, bands, Bass, beauty, beginning, blood, boot, bouncing, Burn, but, by, ca, cat, center, City, classic, close, CO., color, colorado, comes, concert, cream, Crowd, cup, dance, dancing, Day, dead, December, does, down, Drop, en, end, Eve, fee, fi, final, finish, First, FOR, four, Frenzy, Friend, From, gain, get, gin, give, Good, Gorge, great, Guitar, hampton, Heads, hi, hiatus, high, How, improvisation, in, inspiration, into, intro, is, IT, IX, jam, jammin, jamming, Jay, John, Joy, King, Labor, lang, las, Last, Laugh, leave, Led, Lee, let, levels, life, light, Like, live, live music, long, lot, love, MA, Made, Main, maine, mash, MI, midnight, mix, Music, My, Nat, nate, nc, New, New Years Eve, News, night, no, North, NV, ny, NYE, of, on, one, op, Open, out, PA, page, Part, party, Phish, picking, play, pro, Pt, rad, rain, rant, read, Road, rock, room, rose, Roseland, row, rs, run, Say, SC, sci, Screaming, second, set, show, Shows, Sky, So, solo, song, Soul, SPAC, Split, St, stage, start, state, step, string, studio, style, Syne, tab, talk, Taste, That, the, theater, to, tour, Traffic, Train, Twist, two, uic, us, va, venue, WA, WAITING, war, Way, we, Ween, with, words, years, You, Your |
Words by: Shawn OBryant | Images by: Sue DuMond
Leftover Salmon with Elephant Revival, Fruition and Jim Page :: 12.31.11 :: Roseland Theater:: Portland, Oregon
 Vince Herman by Sue DuMond |
In the greenroom of the Roseland Theater, Vince Herman of Leftover Salmon sits surrounded by masks and balloons restringing his guitar. He is preparing for the final gig of Leftover Salmons New Years Run, a four show tour that kicked off on December 28 in San Diego, CA and is culminating in a New Years Eve masquerade style jamboree in Portland, OR. As he tinkers with the strings and tunes them by ear, he talks excitedly about the upcoming year. Twenty-twelve, bring it on, he exclaims. Were stepping into a new world. We are psyched to start it here.
The final show of the year marks the 22nd anniversary of Leftover Salmon, who played their first gig in Crested Butte, CO on New Years Eve of 1989. Tonight also marks the beginning of a new era for the band as they swing away from the on-again-off-again hiatus they have been on since 2005. As the new year comes knocking, the veteran originators of Polyethnic Cajun Slamgrass have a lot coming up in 2012, including a new album in the works and a revitalized winter tour calendar.
 Drew Emmitt by Sue DuMond |
Along with Leftover Salmon, fellow Colorado natives Elephant Revival, longtime Leftover Salmon collaborator and Seattle local Jim Page, and Portland native folk/soul rockers Fruition are in the house to round out the show. The gig is a mash up of Rocky Mountain and Northwest talent and although the lineup spans geographic and generational boundaries, all of the acts fit together like pieces of a carefully crafted, larger mosaic. This is no coincidence. The lineup has been pulled together intentionally and includes some of Leftover Salmons oldest and newest friends from the last two-plus decades of life on the road.
Herman finishes stringing his guitar and eyes the vintage tuxedo he will soon put on to play his set. The mood in the greenroom is getting energetic as the doors to the concert are about to open upstairs. Herman recalls that the foundations for this very night were laid over 15 years ago when Leftover Salmon found themselves at the Oregon Country Fair outside of Eugene, OR. Wandering the entwining paths between stages, Herman bumped into Jim Page playing an impromptu show and was immediately hooked. I just got glued to Jim for a few hours, he remembers. Vibing off each others ability to keep music fluid, fun and improvisational, Page was soon collaborating with Herman and Leftover Salmon all over the country.
 Elephant Revival by Sue DuMond |
Elephant Revival first came onto the radar of Leftover Salmon in 2006 when two of their members, Bonnie Paine and Dan Rodriguez, moved in next door to Herman in Nederland, CO. Before long the two households were picking away together. We got to cook good meals, pick all night, and drink whisky to keep our blood warm, recalls Rodriguez about the formative time period. On the upswing, Elephant Revival has been turning heads ever since, creating a solid fan base through their tireless touring, dedication and love of their craft. They have remained close to Herman and now share a common manager. Hermans admiration for the band and their Transcendental Folk style is obvious. Elephant doesnt have to slam you down and rowdy you up to get you to pay attention, he says, Their breath is enough.
Fruition made it to the stage after a series fortunate meetings and good old fashion jamming. After seeing Elephant Revival at a show in Portland, We instantly had a band crush, recalls Jay Cobb of Fruition. After the show some of the members of Fruition and Elephant Revival ended up playing together at an after party.
 Fruition by Sue DuMond |
After jamming in Portland, Fruition again met up with Elephant Revival at the 2011 Northwest String Summit where Herman was also hanging out and playing. One night Herman, who is notorious for keeping the jam going after all others have retired, fell asleep early. Seizing the opportunity to give Herman a taste of his own medicine, members of Elephant Revival and Fruition glommed together in conspiratorial glee and snuck wordlessly into the tent of the peacefully asleep Herman. We decided to wake him up with a sweet lullaby, remembers Rodriguez of Elephant Revival. With a full band including an upright bass squeezed into Hermans tent, the ensemble slowly began to play Herman into consciousness. I met them in a dream state, recalls Herman of Fruition, They invaded and sang the most incredible, gorgeous song. It was the greatest.
The Roseland Theater is getting packed as hordes of fans stream in the door and pick up complimentary masquerade masks. The theater is split into two levels with a main stage upstairs and a secondary stage on the first floor. At 7:30 pm Fruition starts playing their first set. As usual they get the show rocking hard and rocking early. Fruition has become a staple for the dance hungry, foot stomping fans of the gritty folk rock scene in Portland. With a local crowd and the thrill of playing a gig with some of their favorite musical inspirations, the show quickly gets into full swing. Throughout the night Fruition will be playing tweener sets on the lower stage during each of the set breaks of the upstairs stage, This is the best situation, says Cobb over the microphone as they wrap up their first musical onslaught. We get to play for you and then we get to party with you. Lets go watch Elephant Revival!
 Jim Page by Sue DuMond |
The multi-level layout of the venue insured that a constant flow of traffic is continually streaming between the two floors. Elephant Revival takes to the stage next and hypnotizes the crowd with goose bump inducing melodies, heartfelt lyrics, and contagious aura of conscious optimism. The crowd is drawn into hooting applause as Bonnie Paine rocks a washboard solo and then gets carried off on a sea of strings and bass. Elephant Revival delivers the type of show that leaves you feeling good. The band is so cohesive in their approach that the whole audience is riveted by the exuberant passion of the band.
Jim Page delivers next with a short but politically charged set accompanied by Herman and Paine. The intelligence and compassion in Pages lyrics waft over the crowd as he tackles contemporary issues of beauty and ugliness in songs like Tent City and a remake of Woody Guthries This Land is Your Land.
 Leftover Salmon w/ Bonnie Paine by Sue DuMond |
Leftover Salmon finally takes the main stage at 10:00. Decked out in newly purchased vintage suits and ready to give it everything, the band launches into their music with all the exuberance of the early days. Playing a mix of classics and a few tunes from the upcoming album including Liza, a new Andy Thorn tune, the crowd is whipped into a dancing frenzy. Everyone is feeling the high. Paine, waiting backstage before joining Leftover Salmon for some washboard collaboration, grabs fellow band member Sage Cook and swings him into a dosey doe as he passes by. The energy is tangible and everyone is feeding off of it.
After a few songs Jim Page and Paine join the lineup onstage, and Page demonstrates his dynamic improvisational style on the fly. After a few tunes, Herman introduces the Jim Page song Over My Dead Body, which he describes as the anthem to the Occupy movement. The set carries the crowd with every twist, solo and belted chorus.
 Leftover Salmon by Sue DuMond |
At a few minutes past 11:00 the crowd has again flowed downstairs to watch Fruition before the final Leftover Salmon set. As Fruition winds up their last tune, the song slowly dissolves into a ruckus drum solo by drummer Tyler Thompson. Out of the wings appears drum and dance ensemble Ax Did, jamming Afro-Caribbean beats in coalition with Thompson. Dancers appear onstage decked out in carnival-esque costumes and whip the crowd into a frenzy with their booty shaking exuberance. Soon the percussion section and the dancers have left the stage and begin meandering their way through the audience in a train, dancing and leading people back upstairs. By the time they reach the main stage the whole venue is bouncing. Salmon effigies attached to dowels float amongst an ocean of hands as the dancers make it onstage for a solo rhythm and dance show.
The crowd counts down to midnight and an avalanche of balloons drops over the audience. Leftover Salmon is back onstage and rips into their last set of the night, beginning with their own rendition of Auld Lang Syne. With another new tune, Light Behind the Rain, a cover of Sweet Child O Mine, and more classic material such as Zombie Jamboree and Euphoria, Leftover Salmon ratchets up the energy even further in the packed house.
 Leftover Salmon by Sue DuMond |
The show ends on a high note, leaving everyone sweaty, overwhelmed and screaming for more. The new and youthful energy of Fruition and Elephant Revival mashed up perfectly with the road tested experience of Jim Page and Leftover Salmon. This is the best show I have seen in 11 years working with the band, remarks Leftover Salmon manager John Joy.
Leftover Salmon will be riding the crest of that wave right into the studio as they finish recoding their album in Portland over the next few weeks. It was a satisfying show, a fitting location, and an incredible display of musical collaboration between regions and mutually respectful generations. When asked why Portland was the town to hold this incredible ceremony of revitalization Herman says the reasons are obvious: Thats where Salmon go – they go to the Northwest.
Leftover Salmon Tour Dates :: Leftover Salmon News
JamBase | Upstream Dreamin
Go See Live Music!
Tags: classic, colorado, Drop, gain, house, John, north, split, tour, vintage
January 7, 2012 in 06, 10, 11, 12, 2, 2011, 28, 29, 3, 30, 31, 50, 9, 99, a, after, Again, age, all, Also, am, an, and, another, Are, as, at, Auld, Auld Lang Syne, away, Backstage, Ball, balloons, ban, band, bands, Bass, beauty, beginning, blood, boot, bouncing, Burn, but, by, ca, cat, center, City, classic, close, CO., color, colorado, comes, concert, cream, Crowd, cup, dance, dancing, Day, dead, December, does, down, Drop, en, end, Eve, fee, fi, final, finish, First, FOR, four, Frenzy, Friend, From, gain, get, gin, give, Good, Gorge, great, Guitar, hampton, Heads, hi, hiatus, high, How, improvisation, in, inspiration, into, intro, is, IT, IX, jam, jammin, jamming, Jay, John, Joy, King, Labor, lang, las, Last, Laugh, leave, Led, Lee, let, levels, life, light, Like, live, live music, long, lot, love, MA, Made, Main, maine, mash, MI, midnight, mix, Music, My, Nat, nate, nc, New, New Years Eve, News, night, no, North, NV, ny, NYE, of, on, one, op, Open, out, PA, page, Part, party, Phish, picking, play, pro, Pt, rad, rain, rant, read, Road, rock, room, rose, Roseland, row, rs, run, Say, SC, sci, Screaming, second, set, show, Shows, Sky, So, solo, song, Soul, SPAC, Split, St, stage, start, state, step, string, studio, style, Syne, tab, talk, Taste, That, the, theater, to, tour, Traffic, Train, Twist, two, uic, us, va, venue, WA, WAITING, war, Way, we, Ween, with, words, years, You, Your |
Words by: Shawn OBryant | Images by: Sue DuMond
Leftover Salmon with Elephant Revival, Fruition and Jim Page :: 12.31.11 :: Roseland Theater:: Portland, Oregon
 Vince Herman by Sue DuMond |
In the greenroom of the Roseland Theater, Vince Herman of Leftover Salmon sits surrounded by masks and balloons restringing his guitar. He is preparing for the final gig of Leftover Salmons New Years Run, a four show tour that kicked off on December 28 in San Diego, CA and is culminating in a New Years Eve masquerade style jamboree in Portland, OR. As he tinkers with the strings and tunes them by ear, he talks excitedly about the upcoming year. Twenty-twelve, bring it on, he exclaims. Were stepping into a new world. We are psyched to start it here.
The final show of the year marks the 22nd anniversary of Leftover Salmon, who played their first gig in Crested Butte, CO on New Years Eve of 1989. Tonight also marks the beginning of a new era for the band as they swing away from the on-again-off-again hiatus they have been on since 2005. As the new year comes knocking, the veteran originators of Polyethnic Cajun Slamgrass have a lot coming up in 2012, including a new album in the works and a revitalized winter tour calendar.
 Drew Emmitt by Sue DuMond |
Along with Leftover Salmon, fellow Colorado natives Elephant Revival, longtime Leftover Salmon collaborator and Seattle local Jim Page, and Portland native folk/soul rockers Fruition are in the house to round out the show. The gig is a mash up of Rocky Mountain and Northwest talent and although the lineup spans geographic and generational boundaries, all of the acts fit together like pieces of a carefully crafted, larger mosaic. This is no coincidence. The lineup has been pulled together intentionally and includes some of Leftover Salmons oldest and newest friends from the last two-plus decades of life on the road.
Herman finishes stringing his guitar and eyes the vintage tuxedo he will soon put on to play his set. The mood in the greenroom is getting energetic as the doors to the concert are about to open upstairs. Herman recalls that the foundations for this very night were laid over 15 years ago when Leftover Salmon found themselves at the Oregon Country Fair outside of Eugene, OR. Wandering the entwining paths between stages, Herman bumped into Jim Page playing an impromptu show and was immediately hooked. I just got glued to Jim for a few hours, he remembers. Vibing off each others ability to keep music fluid, fun and improvisational, Page was soon collaborating with Herman and Leftover Salmon all over the country.
 Elephant Revival by Sue DuMond |
Elephant Revival first came onto the radar of Leftover Salmon in 2006 when two of their members, Bonnie Paine and Dan Rodriguez, moved in next door to Herman in Nederland, CO. Before long the two households were picking away together. We got to cook good meals, pick all night, and drink whisky to keep our blood warm, recalls Rodriguez about the formative time period. On the upswing, Elephant Revival has been turning heads ever since, creating a solid fan base through their tireless touring, dedication and love of their craft. They have remained close to Herman and now share a common manager. Hermans admiration for the band and their Transcendental Folk style is obvious. Elephant doesnt have to slam you down and rowdy you up to get you to pay attention, he says, Their breath is enough.
Fruition made it to the stage after a series fortunate meetings and good old fashion jamming. After seeing Elephant Revival at a show in Portland, We instantly had a band crush, recalls Jay Cobb of Fruition. After the show some of the members of Fruition and Elephant Revival ended up playing together at an after party.
 Fruition by Sue DuMond |
After jamming in Portland, Fruition again met up with Elephant Revival at the 2011 Northwest String Summit where Herman was also hanging out and playing. One night Herman, who is notorious for keeping the jam going after all others have retired, fell asleep early. Seizing the opportunity to give Herman a taste of his own medicine, members of Elephant Revival and Fruition glommed together in conspiratorial glee and snuck wordlessly into the tent of the peacefully asleep Herman. We decided to wake him up with a sweet lullaby, remembers Rodriguez of Elephant Revival. With a full band including an upright bass squeezed into Hermans tent, the ensemble slowly began to play Herman into consciousness. I met them in a dream state, recalls Herman of Fruition, They invaded and sang the most incredible, gorgeous song. It was the greatest.
The Roseland Theater is getting packed as hordes of fans stream in the door and pick up complimentary masquerade masks. The theater is split into two levels with a main stage upstairs and a secondary stage on the first floor. At 7:30 pm Fruition starts playing their first set. As usual they get the show rocking hard and rocking early. Fruition has become a staple for the dance hungry, foot stomping fans of the gritty folk rock scene in Portland. With a local crowd and the thrill of playing a gig with some of their favorite musical inspirations, the show quickly gets into full swing. Throughout the night Fruition will be playing tweener sets on the lower stage during each of the set breaks of the upstairs stage, This is the best situation, says Cobb over the microphone as they wrap up their first musical onslaught. We get to play for you and then we get to party with you. Lets go watch Elephant Revival!
 Jim Page by Sue DuMond |
The multi-level layout of the venue insured that a constant flow of traffic is continually streaming between the two floors. Elephant Revival takes to the stage next and hypnotizes the crowd with goose bump inducing melodies, heartfelt lyrics, and contagious aura of conscious optimism. The crowd is drawn into hooting applause as Bonnie Paine rocks a washboard solo and then gets carried off on a sea of strings and bass. Elephant Revival delivers the type of show that leaves you feeling good. The band is so cohesive in their approach that the whole audience is riveted by the exuberant passion of the band.
Jim Page delivers next with a short but politically charged set accompanied by Herman and Paine. The intelligence and compassion in Pages lyrics waft over the crowd as he tackles contemporary issues of beauty and ugliness in songs like Tent City and a remake of Woody Guthries This Land is Your Land.
 Leftover Salmon w/ Bonnie Paine by Sue DuMond |
Leftover Salmon finally takes the main stage at 10:00. Decked out in newly purchased vintage suits and ready to give it everything, the band launches into their music with all the exuberance of the early days. Playing a mix of classics and a few tunes from the upcoming album including Liza, a new Andy Thorn tune, the crowd is whipped into a dancing frenzy. Everyone is feeling the high. Paine, waiting backstage before joining Leftover Salmon for some washboard collaboration, grabs fellow band member Sage Cook and swings him into a dosey doe as he passes by. The energy is tangible and everyone is feeding off of it.
After a few songs Jim Page and Paine join the lineup onstage, and Page demonstrates his dynamic improvisational style on the fly. After a few tunes, Herman introduces the Jim Page song Over My Dead Body, which he describes as the anthem to the Occupy movement. The set carries the crowd with every twist, solo and belted chorus.
 Leftover Salmon by Sue DuMond |
At a few minutes past 11:00 the crowd has again flowed downstairs to watch Fruition before the final Leftover Salmon set. As Fruition winds up their last tune, the song slowly dissolves into a ruckus drum solo by drummer Tyler Thompson. Out of the wings appears drum and dance ensemble Ax Did, jamming Afro-Caribbean beats in coalition with Thompson. Dancers appear onstage decked out in carnival-esque costumes and whip the crowd into a frenzy with their booty shaking exuberance. Soon the percussion section and the dancers have left the stage and begin meandering their way through the audience in a train, dancing and leading people back upstairs. By the time they reach the main stage the whole venue is bouncing. Salmon effigies attached to dowels float amongst an ocean of hands as the dancers make it onstage for a solo rhythm and dance show.
The crowd counts down to midnight and an avalanche of balloons drops over the audience. Leftover Salmon is back onstage and rips into their last set of the night, beginning with their own rendition of Auld Lang Syne. With another new tune, Light Behind the Rain, a cover of Sweet Child O Mine, and more classic material such as Zombie Jamboree and Euphoria, Leftover Salmon ratchets up the energy even further in the packed house.
 Leftover Salmon by Sue DuMond |
The show ends on a high note, leaving everyone sweaty, overwhelmed and screaming for more. The new and youthful energy of Fruition and Elephant Revival mashed up perfectly with the road tested experience of Jim Page and Leftover Salmon. This is the best show I have seen in 11 years working with the band, remarks Leftover Salmon manager John Joy.
Leftover Salmon will be riding the crest of that wave right into the studio as they finish recoding their album in Portland over the next few weeks. It was a satisfying show, a fitting location, and an incredible display of musical collaboration between regions and mutually respectful generations. When asked why Portland was the town to hold this incredible ceremony of revitalization Herman says the reasons are obvious: Thats where Salmon go – they go to the Northwest.
Leftover Salmon Tour Dates :: Leftover Salmon News
JamBase | Upstream Dreamin
Go See Live Music!
Tags: color, friend, inspiration, jamming, king, lee, life, Music, north, row, run